Best Picture

[4] To give credit where credit is due, The Broadway Melody was the first sound film from MGM Studios, the second-ever Best Picture Oscar winner (the first with sound), and the first film in history to feature dance numbers filmed to pre-recorded music. It was the biggest money-maker of 1929 and spawned at least four sequels over the course of the next decade. It just …

[8] Score another point for Ben Affleck. I never much cared for him as an actor, but between this film and 2007’s Gone Baby Gone, the guy has shown us some serious directing chops. Argo is the true story of how the U.S. Government worked with Hollywood to rescue six Americans who escaped the U.S. Embassy during the 1980 Iranian hostage crisis. Affleck plays the …

[4] It must have been a weak year at the movies for this to have been the winner of the Best Picture Oscar. Tom Jones is a meandering mess of a narrative, with no strong through line and a bizarre sense of humor that I can only describe as a hybrid of Oscar Wilde, Woody Allen, and Benny Hill. I like Albert Finney, but his …

[7] Hollywood’s most celebrated melodrama is still entertaining today. Vivien Leigh does a remarkable job playing one of the most volatile heroines in film history. Scarlet O’Hara begins Margaret Mitchell’s story damned spoiled, and I’m not sure she ever really learns her lesson, but Leigh renders a subtle transformation while always remaining true to character. My other favorites are Olivia de Havilland (sweet in everything …

[6] The lives of tenants at a Berlin hotel interconnect over the course of one day in Grand Hotel, based on the novel by Vicki Baum and produced by the famed Irving Thalberg. With Greta Garbo, Joan Crawford, Jean Hersholt, Wallace Beery, and the Barrymores (John and Lionel), this Best Picture Oscar-winner is regarded the grandfather of star-studded showcases. Despite the star power, the performances …

[5] SPOILER REVIEW I really liked American Beauty when it was first released. Maybe I was wooed by its quirky introspection and aesthetic achievments. Or maybe it was screenwriter Alan Ball’s fresh new way of blending the real with the surreal. Or even the meditative lilt of Thomas Newman’s trend-setting score. But whatever the reason(s), watching the film ten years later, I realize — American …

[8] You know you’re in for a harrowing journey when the ship’s captain gives a dead man 300 lashes before the ship even leaves port. Charles Laughton steals the show here as the torturous Captain Bligh, a greedy monster who plays recklessly with the lives of his crew. Clark Gable is charismatic as Fletcher Christian, the man who leads the uprising against Bligh (and without …

[8] Director William Wellman took a full year to shoot it and was nearly fired for his perfectionism, but the gamble paid off. Wings was a huge success at the box office and became the first ever Oscar-winning Best Picture. At two-and-a-half hours, it runs a little too long, but it’s well paced and very well acted. The spectacular aerial battle sequences are what the …

[9] Martin Scorsese helms this dramatic thriller about an undercover cop (Leonardo DiCaprio) and a gang mole in the Boston police (Matt Damon) who race to uncover each other’s identities while a powerful mobster (Jack Nicholson) manipulates them both to his own, nefarious advantage. The Departed, inspired by the true story of Irish mobster Whitey Bulger, hits the ground running and never lets up on …

[10] Peter Jackson (Dead Alive, The Frighteners) embraces the Herculean task of bringing Tolkien’s supreme fantasy to the silver screen, and hits a home run. The Fellowship of the Ring gets the trilogy off to a strong start, as Frodo Baggins and his companions set off to destroy the One Ring.  Jackson is faithful to the source material while masterfully balancing action, horror, heart, and …

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