[10] In the not-so-distant future, a Detroit policeman is murdered by a vicious cop-killer, only to be resurrected as the ultimate cyborg law enforcer. But will RoboCop have free will, or will he be slave to the corporation that facilitated his rebirth? On one level, RoboCop is an action film sprinkled with generous amounts of extreme violence and gore. But the movie also has unexpected …
[10] James Cameron accomplishes a rare feat with a sequel that doesn’t shame the original and succeeds on its own merits. Aliens is so different in tone than the original Alien, I think of it as a sequel only in name (this goes for all the Alien movies). In a smart move, Cameron decided not to compete with Ridley Scott in the areas of horror …
[9] David Cronenberg’s remake of The Fly is still the most fowl and disgusting film I have ever seen. It just about makes me barf every time I see it, and I love that. Jeff Goldblum plays an inventor who creates teleportation pods. After he uses himself as a test subject, strange things start happening to old Jeffy. Course hairs grow out of a wound …
[10] High schooler Marty McFly (Michael J. Fox) is accidentally sent thirty years into the past where he unwittingly threatens his own existence by interfering with his parents’ introduction to one another. With the help of crack-pot scientist Doc Brown, (Christopher Lloyd), Marty must introduce his parents and make sure they fall in love before attempting a daring return trip to the future. Back to …
[10] Straight biographies rarely make great film, but by filtering the subject through another man’s envy, director Milos Forman (One Flew Over the Cuckoo’s Nest) delivers one of the best bio-films I’ve ever seen. This isn’t a film about a composer and his music (how boring would that be?) — it’s a film about an insanely jealous contemporary named Salieri. Salieri, played brilliantly by F. …
[9] It may not be as clever or well-crafted as its predecessor, but the first Indy Jones sequel (which is technically a prequel) is still loads of fun. In place of the Nazis, we get a blood-drinking Indian cult, and in place of a tough-as-nails heroine who can hold her own, we get a blonde screaming mess. Temple of Doom is both darker and cornier …
[9] Compared to the previous two episodes in the original Star Wars trilogy, Return of the Jedi comes up a bit short in character and drama. Richard Marquand’s direction isn’t as elegant or purposeful as Irvin Kershner’s (who directed The Empire Strikes Back so gorgeously). But the third film wraps up story threads more than adequately and gives us quite a few spectacular action set pieces, from the …
[10] In Steven Spielberg’s blockbuster classic, a young boy named Elliot (Henry Thomas) takes care of a stranded alien, helping him send a message into space for the mother ship to return and rescue him. E.T. is about loneliness and friendship. While E.T. has been physically left behind, Elliot and his family — Robert MacNaughton and Drew Barrymore play siblings and Dee Wallace plays the …
[10] With the success of Animal House and The Blues Brothers behind him, director John Landis was able to take a chance on a horror-comedy about two American college students who have a close encounter of the hirsute kind while backpacking through the English moors. David Naughton and Griffin Dunne star as the two Americans, Rick Baker provides the groundbreaking makeup and special effects, and An American Werewolf in London remains …
[10] Steven Spielberg wanted to make a James Bond movie until his buddy George Lucas said, ‘I have a better idea.’ And he did. Lucas created Indiana Jones, a globe-trotting archaeologist who sought treasure for fortune and glory while encountering a variety of adversaries in his travels, starting with the Nazis in Raiders of the Lost Ark. Indiana Jones would become the new name of …
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