1951

[6] In 1860s New Orleans, a Creole servant girl (Micheline Presle) vows revenge after her wealthy lover (Vincent Price) uses his influence to put her in jail so he can marry a rich socialite. While on trial, however, Captain Fabian (Errol Flynn) comes to the girl’s defense out of spite for Price’s character more than anything else. Flynn sets Presle up with a tavern to …

[7] Humphrey Bogart stars in this taut mystery-thriller as a district attorney trying to keep a terrified witness alive until he can testify against the ringleader of a hit-squad. The Enforcer is largely told through a series of flashbacks told by various members of the hit squad — usually proximate to their untimely demises. That sort of movie is entertaining enough, but The Enforcer is …

[4] Near the end of both Singin’ in the Rain and An American in Paris, there is a big, epic dance number that feels very out of place. It’s the only thing I don’t like about Singin’ in the Rain, and the only thing I DO like about An American in Paris. The later film is essentially a superb 20-minute dance number tacked onto an …

[5] Lex Barker’s third outing in the loincloth has him caught up with gunrunners, warring tribes, and even a man-eating jungle plant. The script is more scatter-shot than usual, but Barker seems more comfortable in the role than before, playing Tarzan as less brutish and more talkative (though still a stranger to most pronouns and articles). Virginia Huston makes a terrible Jane — you don’t …

[6] Cary Grant stars as Dr. Noah Praetorius, a well-meaning doctor and professor who falls for a troubled young woman (Jeanne Crain) while simultaneously dodging a jealous colleague’s (Hume Cronyn) perpetual witch hunt. People Will Talk is sweet if you stay on the surface of the story. I like the witch hunt storyline which ends with a darkly comic revelation. But the relationship between Grant …

[7] In this Howard Hawks production, an arctic science team finds an alien buried in the ice, so they bring it back to their facility for closer inspection. Things go awry, the monster gets loose, and before long, all the men are in danger of becoming food for the alien’s progeny. This is a great atomic-age monster movie that well exceeds expectations for the genre …

[9] Montgomery Clift (Red River, The Heiress) stars as a poor young man who takes a job at his rich uncle’s garment factory where he falls in love with a coworker played by Shelley Winters. Things become complicated when Clift is introduced to an alluring young socialite played by Elizabeth Taylor in her first ‘adult’ role. Just as Clift is ready to commit to Taylor …

[9] Charm can take a movie a long, long way. With Katharine Hepburn and Humphrey Bogart in their only film together, The African Queen goes the distance. She’s Rosie, the prudish widow of a missionary, and he’s Charlie, the rough-around-the-edges steamboat captain. Director John Huston puts them in a small boat together and lets the sparks fly. We need only a simple plot to drive …