Best Cinematography

[7] Helen Hayes and Gary Cooper co-star in director Frank Borzage’s adaptation of Ernest Hemingway’s A Farewell to Arms. Cooper plays an American ambulance driver who falls in love with Hayes’ British nurse in Italy during the first World War. They are secretly married and have to keep their relationship hidden from their superiors. Eventually, they are separated and their letters to each other are …

[8] Joseph Cotten uncovers a conspiracy surrounding a deceased friend in The Third Man, a masterfully crafted film noir thriller from author Graham Greene and director Carol Reed. Reed keeps the story moving at a brisk pace, surrounding Cotten’s character with a superb supporting cast that includes Alida Valli, Trevor Howard, Bernard Lee, and Orson Welles. Robert Krasker’s Oscar-winning cinematography is a revelation, turning war-torn …

[6] Paul Newman headlines this Robert Wise biopic about real-life boxing champ Rocky Graziano. Ernest Lehman’s smart, well-paced script sees Rocky through several youthful indiscretions that threaten to ruin him just as the lightweight championship comes within reach. Though he had appeared in one other film prior, this is the movie that launched Paul Newman to stardom, and it’s no wonder why — he’s magnetic. …

[8] A young man’s soul is transferred to a mysterious portrait that bears the decay and debauchery of his lifestyle. The most interesting thing about this Oscar Wilde tale is that you are never told what Dorian Gray’s sins are, though the film adaptation hints at everything from drugs and alcohol to carnal sins with both men and women. Hurd Hatfield plays the icy cold …

[7] James Cameron’s first film since Titanic is a supreme juvenile fantasy with a healthy sense of adventure and discovery. From its floating mountains to its bio-luminescent flora and fauna, the world of Pandora never stops unfolding before our eyes, and it’s a beautiful, trippy little place to visit. The core concept of Avatar — that of experiencing life through a separate host body — …

[4] Tyrone Power and Maureen O’Hara star in this seafaring tale of a plundering buccaneer who considers changing his ways once he becomes smitten with an aristocratic lady. At times a very beautiful film, The Black Swan fails on the most critical aspect of the ‘love relationship’. Tyrone Powers may look dashing, but I didn’t find him very charismatic. And Maureen O’Hara is pretty awful. …

[4] Around the World in 80 Days is a three-hour-long, episodic adventure that’s high on spectacle and low on story or character. I wager it played better to a 1950s audience interested in seeing a cliche-ridden “It’s a Small World”-like pastiche of world cultures. I wish leading actor David Niven had more to do in his role — it could have really helped the film …

[3] What a shitty Best Picture winner Gigi is. It’s a musical about an unhappy playboy (Louis Jourdan) and an unhappy debutante (Leslie Caron) who fall in love, but then out of love, and back in love, and out, and finally in again. Apparently neither one feels right playing by the rules of Parisian upper-crust society and doing what is expected of them, so they …

[7] Hollywood’s most celebrated melodrama is still entertaining today. Vivien Leigh does a remarkable job playing one of the most volatile heroines in film history. Scarlet O’Hara begins Margaret Mitchell’s story damned spoiled, and I’m not sure she ever really learns her lesson, but Leigh renders a subtle transformation while always remaining true to character. My other favorites are Olivia de Havilland (sweet in everything …

[4] I knew I would eventually have to watch this 3-hour 20-minute behemoth and thank goodness it’s over. Doctor Zhivago is a sprawling epic about the Russian Revolution as seen through the eyes of a doctor (Omar Sharif) who wants to have his cake (his wife is played by Geraldine Chaplin) and eat it, too (his mistress is played by Julie Christie). The first half …

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