[3] What a shitty Best Picture winner Gigi is. It’s a musical about an unhappy playboy (Louis Jourdan) and an unhappy debutante (Leslie Caron) who fall in love, but then out of love, and back in love, and out, and finally in again. Apparently neither one feels right playing by the rules of Parisian upper-crust society and doing what is expected of them, so they …
[4] The third-ever Academy Award for ‘Best Picture’ went to this somewhat clunky, melodramatic story spanning three decades in the lives of two British families — one upstairs aristocrats, the other downstairs servants. It may have been one of the most popular films of 1933, but it’s not one to which the passage of time has been particularly kind. Diana Wynyard and Clive Brook play …
[4] It must have been a weak year at the movies for this to have been the winner of the Best Picture Oscar. Tom Jones is a meandering mess of a narrative, with no strong through line and a bizarre sense of humor that I can only describe as a hybrid of Oscar Wilde, Woody Allen, and Benny Hill. I like Albert Finney, but his …
[7] Hollywood’s most celebrated melodrama is still entertaining today. Vivien Leigh does a remarkable job playing one of the most volatile heroines in film history. Scarlet O’Hara begins Margaret Mitchell’s story damned spoiled, and I’m not sure she ever really learns her lesson, but Leigh renders a subtle transformation while always remaining true to character. My other favorites are Olivia de Havilland (sweet in everything …
[5] SPOILER REVIEW I really liked American Beauty when it was first released. Maybe I was wooed by its quirky introspection and aesthetic achievments. Or maybe it was screenwriter Alan Ball’s fresh new way of blending the real with the surreal. Or even the meditative lilt of Thomas Newman’s trend-setting score. But whatever the reason(s), watching the film ten years later, I realize — American …
[10] Peter Jackson (Dead Alive, The Frighteners) embraces the Herculean task of bringing Tolkien’s supreme fantasy to the silver screen, and hits a home run. The Fellowship of the Ring gets the trilogy off to a strong start, as Frodo Baggins and his companions set off to destroy the One Ring. Jackson is faithful to the source material while masterfully balancing action, horror, heart, and …
[9] Here we have a horror film so classy, it won the Oscar for Best Picture. Anthony Hopkins and Jodie Foster each deliver career-defining performances as Hannibal Lecter and Clarice Starling, the central characters in author Thomas Harris’ perverse contemporary retelling of Beauty and the Beast. The screenplay balances their provocative banter with a well-constructed mystery surrounding the identity and whereabouts of a serial killer …
[10] Kevin Costner’s ambitious ode to the American frontier is grand, romantic storytelling at its best. And talk about an underdog. People were calling it ‘Kevin’s Gate’ months prior to release — and why shouldn’t they? A three-hour long western with most of its dialogue in Lakota Sioux? How could such a movie find an audience, much less sweep the Academy Awards?
[10] Straight biographies rarely make great film, but by filtering the subject through another man’s envy, director Milos Forman (One Flew Over the Cuckoo’s Nest) delivers one of the best bio-films I’ve ever seen. This isn’t a film about a composer and his music (how boring would that be?) — it’s a film about an insanely jealous contemporary named Salieri. Salieri, played brilliantly by F. …
[10] Robert Redford directs this adaptation of Judith Guest’s novel, about a family reeling from the accidental death of the eldest child. Unlike so many dramas, it’s what you don’t see and what isn’t said that makes Ordinary People such a gut-wrenching, powerfully moving film. Timothy Hutton, Donald Sutherland, and Mary Tyler Moore give superb performances as family members struggling to reconnect with one another …
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