[7] James Cameron’s first film since Titanic is a supreme juvenile fantasy with a healthy sense of adventure and discovery. From its floating mountains to its bio-luminescent flora and fauna, the world of Pandora never stops unfolding before our eyes, and it’s a beautiful, trippy little place to visit. The core concept of Avatar — that of experiencing life through a separate host body — …
[5] On one hand, I like that Total Recall reminds me of an old-fashioned sci-fi yarn from the ’50s. On the other hand, it’s not quite cheesy enough for me to fully embrace that way. I don’t like Arnold Schwarzenegger in the lead role. He does the film no favors, and I can imagine dozens of other actors who might have helped the movie find …
[6] Just as Robert Zemeckis had to make Forrest Gump and Tim Burton had to make Big Fish, so did David Fincher have to make The Curious Case of Benjamin Button. All three directors are known for their visual and/or technical prowess, and all three felt the need to wring a tear-jerker out of their filmographies, maybe just to prove they could? Benjamin Button is …
[7] The Irwin Allen disaster epic is alive and well in this 1996 summer blockbuster in which evil aliens threaten to destroy Earth, leaving it up to a rag-tag team of politicians, soldiers, and scientists (plus a drunken crop-duster and a pole dancer!), to save humanity. The writing and directing team of Roland Emmerich and Dean Devlin (Stargate, Godzilla) almost strike the perfect tone for …
[10] Peter Jackson (Dead Alive, The Frighteners) embraces the Herculean task of bringing Tolkien’s supreme fantasy to the silver screen, and hits a home run. The Fellowship of the Ring gets the trilogy off to a strong start, as Frodo Baggins and his companions set off to destroy the One Ring. Jackson is faithful to the source material while masterfully balancing action, horror, heart, and …
[10] James Cameron accomplishes a rare feat with a sequel that doesn’t shame the original and succeeds on its own merits. Aliens is so different in tone than the original Alien, I think of it as a sequel only in name (this goes for all the Alien movies). In a smart move, Cameron decided not to compete with Ridley Scott in the areas of horror …
[9] It may not be as clever or well-crafted as its predecessor, but the first Indy Jones sequel (which is technically a prequel) is still loads of fun. In place of the Nazis, we get a blood-drinking Indian cult, and in place of a tough-as-nails heroine who can hold her own, we get a blonde screaming mess. Temple of Doom is both darker and cornier …
[9] Compared to the previous two episodes in the original Star Wars trilogy, Return of the Jedi comes up a bit short in character and drama. Richard Marquand’s direction isn’t as elegant or purposeful as Irvin Kershner’s (who directed The Empire Strikes Back so gorgeously). But the third film wraps up story threads more than adequately and gives us quite a few spectacular action set pieces, from the …
[10] Steven Spielberg wanted to make a James Bond movie until his buddy George Lucas said, ‘I have a better idea.’ And he did. Lucas created Indiana Jones, a globe-trotting archaeologist who sought treasure for fortune and glory while encountering a variety of adversaries in his travels, starting with the Nazis in Raiders of the Lost Ark. Indiana Jones would become the new name of …
[10] Ridley Scott’s sci-fi/horror opus Alien is really a haunted house movie set in outer space, where a ragtag team of “space truckers” do battle with one of the most fascinating monsters in movie history. Scott is one of the finest directors of our time, and this may be his best film — a taut thriller, designed and executed with tremendous attention to realism and …
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