Christopher Lloyd

[5] Barry Sonnenfeld makes the leap from established cinematographer (Misery, Raising Arizona) to first-time director with The Addams Family. Screenwriter Caroline Thompson (Edward Scissorhands, The Nightmare Before Christmas) creates a feature scenario around Charles Addams macabre cartoon characters, popularized in the ’60s by their TV adaptation. In Thompson’s script, beloved Uncle Fester has been missing for years, leaving a hole in the dark heart of …

[7] Spock himself, Leonard Nimoy, jumps into the director’s chair for The Search for Spock, which picks up immediately after the events of The Wrath of Khan. When Kirk (William Shatner) learns that Spock’s soul has been transferred to McCoy (DeForest Kelley) and that his body has been regenerated on the newly-formed Genesis planet, the Enterprise crew decide to risk everything to make Spock whole …

[8] Bob Hoskins stars as a 1940s Hollywood detective who is reluctantly pulled into a murder investigation in which the prime suspect is a cartoon rabbit. Can he overcome his hatred of ‘toons’ and prove Roger Rabbit’s innocence? Or will the real culprit get away with much more than murder? Robert Zemeckis (Back to the Future, Romancing the Stone) directs this hybrid blend of animation …

[6] As the sequel to an almost perfect film, Back to the Future: Part II naturally comes up short. While it lacks the heart and coherence of the first film, it’s wild with ideas and invention, both on screen and behind the scenes. The plot is twisted, thrusting Doc Brown and Marty into the year 2015, then to an apocalyptic alter-1985, and finally back to …

[6] Gore, boobs, and monsters have always been a recipe for success — at least a moderate degree of it. Piranha 3D, Alexandre Aja’s remake of Roger Corman’s cult classic, proves the recipe may well be immortal. This flick is a big love letter to the low-budget creature features of the 70s and 80s. It’s not better than any of those movies, it’s not quite …

[2] This movie is just too silly and disjointed for me. I hate it and I always have. It’s a boring, cheap, un-inventive waste of time and talent. I truly don’t get its appeal. The plot is beyond me, and why are all the aliens Jamaican? Why is Jeff Goldblum dressed like a cowboy? Why can’t the amazing John Lithgow rescue me from this torture? …

[7] There’s a lot to like about the first animated feature produced by 20th Century Fox, even if the sum of the parts is a bit uneven. Directors Don Bluth and Gary Goldman (The Secret of NIMH, The Land Before Time) can always be relied upon for solid aesthetic design, but the merging of CGI with traditional animation is a little clunky here. The voice …

[7] Mel Brooks and Anne Bancroft star as leaders of a Polish theater troop forced to entertain the Nazis while simultaneously plotting their escape to Allied territory. You might think the material is too heavy for a comedy, but To Be or Not to Be manages to stay light and breezy without being disrespectful. It certainly helps that most of the laughs come at the …

[10] High schooler Marty McFly (Michael J. Fox) is accidentally sent thirty years into the past where he unwittingly threatens his own existence by interfering with his parents’ introduction to one another. With the help of crack-pot scientist Doc Brown, (Christopher Lloyd), Marty must introduce his parents and make sure they fall in love before attempting a daring return trip to the future. Back to …

[9] Six guests are summoned to a mansion on a stormy night where they discover each is being blackmailed by their mysterious host. Not even before dinner is over, the host is murdered and mystery is afoot. But who did (done?) it, and why? Clue is one of those films that was disregarded upon its initial release, but has since become a cult sensation. The …