[6] When it was William Shatner’s turn to spearhead a Star Trek movie, he wanted it to be about a search for God in which God turned out to be the Devil. The studio let him have his way, and Star Trek V: The Final Frontier ended up under-performing during the crowded summer of 1989 (when Batman and Indiana Jones slayed at the box office). …
[6] This made-for-cable fantasy/noir yarn features Fred Ward as a private detective searching for a book of spells in an alternate 1940s Hollywood where monsters and magic are part of everyday life. Think Who Framed Roger Rabbit with magic instead of cartoons. As fantastic as it sounds, the script is fairly conventional and predictable. A major clue hinges on revealing a “she” to be a “he,” …
[4] In this fourth installment (and final, by my count) of the disaster franchise, George Kennedy returns to pilot a super-sonic plane to Paris. Trouble is, the bad guy (Robert Wagner) wants to blow the plane out of the sky to stop an on-board news reporter (Susan Blakely) from uncovering his corporate shenanigans. For the most part, the Airport movies are a guilty pleasure, but …
[7] H.G. Wells (Malcolm McDowell) travels through time to 1979 in hot pursuit of Jack the Ripper (David Warner), who’s hell-bent on continuing his murderous rampage in a whole new century. In the hands of director/screenwriter Nicholas Meyer (Star Trek II: The Wrath of Khan), Time After Time is a solid romantic romp. I like McDowell and Warner in anything, and Mary Steenburgen is fine …
[4] It must have been a weak year at the movies for this to have been the winner of the Best Picture Oscar. Tom Jones is a meandering mess of a narrative, with no strong through line and a bizarre sense of humor that I can only describe as a hybrid of Oscar Wilde, Woody Allen, and Benny Hill. I like Albert Finney, but his …
[6] Prior to Tron, computer animation appeared in a scene here and there, in films like Star Wars and The Black Hole, but Tron marked the first extensive use of it. So it’s something of a cinematic milestone, the great-grandfather of modern CGI fests like Avatar. Tron looks and sounds like no other movie with its austere digitally-rendered landscapes, the characters in glowing tights, and …
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