Edward Herrmann

[7] F. Scott Fitzgerald’s most required reading is faithfully script-adapted by Francis Ford Coppola, with Jack Clayton directing a production as lavish as required for the story of the uber-wealthy but mysterious Jay Gatsby. We enter into Gatsby’s opulent world through the eyes of Sam Waterston as Nick Carraway. Robert Redford is superbly cast as the reticent but disarming Gatsby, who ends up roping Carraway …

[3] It’s not Tim Matheson or Kate Capshaw’s fault. Really, it isn’t. Both of them are plenty attractive and charismatic to carry a film like this. The problem is that A Little Sex is a boiled-down reduction of every rom-com ever made. Matheson plays a guy who talks his long-time female buddy (Capshaw) into getting married. But since he can’t keep his wiener zipped up, …

[6] A nasty heiress (Goldie Hawn) falls off her yacht and gets amnesia, only to be discovered by a handyman (Kurt Russell) she once screwed over. To get revenge, he convinces her that she’s his wife and the mother of his three unruly sons. Overboard‘s screenplay mines the tried-and-true ‘fish out of water’ scenario to great effect, but make no mistake about it — this …

[8] I’ve loved James Dean ever since my high school art teacher showed me East of Eden and Rebel Without a Cause, which prompted me to write a senior essay on the famous actor’s life and work. So I’m coming to Mark Rydell’s made-for-cable biopic with some healthy scrutiny and high expectations. The film may be a little too brief in its overview to satisfy …

[9] The public will never let director Joel Schumacher live down his Batman movies, but let’s not forget that before there were nipples on the Batsuit, there was The Lost Boys. A divorced mother brings her two sons to a coastal California town to live with their grandfather and make a new life for themselves. There’s just one problem. The whole town is prey for …