Elia Kazan

[7] Fredric March plays a 1950s Czechoslovakian circus owner trying to lead his troupe in a daring escape from the Iron Curtain. The plan is to obtain a permit to perform for communist soldiers in the border territories — then create a distraction and make a run for freedom over a narrow bridge into American occupation. At the same time, March’s character is dealing with …

[7] Gregory Peck stars as a widowed magazine reporter who spends six months pretending to be Jewish while researching for an article about anti-semitism. He’s startled to discover the ways bigotry manifests in his undercover life — openly at ‘restricted’ clubs and secretly in hiring practices, coming from bullies in his son’s schoolyard and even from other Jews who don’t want to draw attention to …

[6] In this courtroom drama ripped from the headlines, Arthur Kennedy plays a nervous out-of-towner who is identified by witnesses as the killer of a beloved local priest. When the whole town unties in his condemnation, it’s up to Dana Andrews, as the district attorney, to prove Kennedy’s innocence at the peril of his political career. For an Elia Kazan (East of Eden, Splendor in …

[7] Elia Kazan directs a trio of Oscar-nominated performances in this adaptation of the Cid Ricketts Sumner novel. Jeanne Crain (State Fair, A Letter to Three Wives) stars as Pinky, a light-skinned African American woman returning to her impoverished southern hometown after finishing nursing school in the north. Her pious grandmother (Ethel Waters) insists that Pinky take care of the dying rich white woman who …

[7] Montgomery Clift stars as a Tennessee Valley Authority officer tasked with convincing a stubborn old woman to leave her family’s home before implementation of a new dam floods her property. Elia Kazan directs, reuniting with Jo Van Fleet (East of Eden) as the old woman. Much of the film was shot on location and I love the setting, captured in Cinemascope and DeLuxe color. The …

[6] Elia Kazan makes a concerted effort to be less ‘theatrical’ and more ‘cinematic’ with Panic in the Streets, a New Orleans thriller about a policeman and a doctor searching the streets for a killer infected with pneumonic plague. Richard Widmark plays the doctor and Paul Douglas plays the cop. They’re forced to work together and begrudgingly do so for a while, but they eventually …

[7] Elia Kazan (East of Eden) made the jump from Broadway plays to feature films with this adaptation of the book by Betty Smith. The story centers around a young girl named Francie growing up in Brooklyn in the early 1900’s. Her father is a dreamer who has trouble providing for the family, while his mother works her fingers to the bone to compensate. The girl …

[7] Warren Beatty made his screen debut alongside Natalie Wood in this Elia Kazan film about sexual repression in 1920s middle-America. Beatty and Wood play Bud and Deanie, high school lovers who plan to get married and consummate their growing sexual urges. But their parents and their own conflicted emotions end up tearing them apart, with Bud wandering aimlessly and Deanie landing in psychiatric care. …

[8] A Face in the Crowd is a surprisingly relevant movie, despite the fact that it’s now over 50 years old. Andy Griffith stars as “Lonesome” Rhodes, a country singer who becomes a media sensation. As the public fawns over him, Rhodes becomes drunk with power and soon sets his sights on the political ring, forcing an ex-lover (Patricia Neal) to attempt revealing to the …

[10] James Dean received the first posthumous acting nomination from the Academy Awards for his performance as the troubled Cal in East of Eden, his first major film role. (He would die tragically just a few months after the film was released.) It’s a riveting performance, one of the most vulnerable and moving I’ve ever seen. The film, directed with style and elegance by Elia …