Everett McGill

[7] Director Jean-Jacques Annaud (The Bear, The Name of the Rose) takes us on a prehistoric adventure about three cave-dwelling early humans who embark on a search for fire after an attack by animalistic Neanderthals extinguishes the flame their tribe maintained for generations. Along the way, the three men encounter cannibals, sabre-tooth tigers, and wooly mammoths. They also meet a woman from another tribe who …

[8] Corey Haim (The Lost Boys) and Megan Follows (Anne of Green Gables) star as young siblings in a small town where a series of grisly murders takes place. Follows’ character is jealous of all the latitude her wheelchair-bound brother gets, but the two begin to bond when they discover the identity of the killer — and that he’s no ordinary human, but a werewolf. …

[5] Licence to Kill is the anti-Bond. Timothy Dalton is out for revenge in this one (his second and final outing in the role), and the performance is desperately missing the character’s trademark nonchalance. Without it, it just isn’t Bond. It’s one of a number of generic 80s action flicks fueled by revenge, centered around the drug trade, full of explosions, and scored by Michael Kamen …

[8] Dino DeLaurentiis foots the bill for this gravely ambitious film adaptation of Frank Herbert’s classic sci-fi novel about the messianic rise of an off-lander who rallies a reclusive desert civilization in a fight against galactic takeover. Hot off The Elephant Man, David Lynch was chosen as director — a bold but inspired choice. And in the end, it’s Lynch’s style and aesthetic taste that …