Kathryn Bigelow

[7] Kathryn Bigelow (Strange Days, Near Dark) directs this Cold War-era true story starring Harrison Ford and Liam Neeson as Soviet officers aboard Russia’s first nuclear-powered submarine. Moscow orders the ship to launch a nuclear missile to let America know they are within striking distance. After the successful launch, however, the vessel suffers a nuclear meltdown that threatens to kill all those aboard and potentially …

[7] Willem Dafoe made his big-screen debut in this meditative homage to The Wild Ones from writer/directors Kathryn Bigelow (The Hurt Locker, Near Dark) and Monty Montgomery. Dafoe plays a greaser who lays over in rural Georgia to wait for the other members of his motorcycle gang to catch up with him on their way to a Daytona racing competition. But a busted chain lays …

[5] Kathryn Bigelow (The Hurt Locker, Strange Days) co-writes and directs this female cop thriller starring Jamie Lee Curtis. Curtis plays a new cop on the New York streets who shoots a grocery store bandit to death. The film takes a bonkers turn when one of the witnesses hides the bad guy’s gun and starts killing innocent citizens with it. The bullets he uses have …

[8] Ralph Fiennes and Angela Bassett star in this tech-noir thriller from director Kathryn Bigelow (Near Dark, The Hurt Locker) and writer James Cameron (Titanic, Avatar). It’s late in the year 1999 (four years into the future for when the film was released), with Fiennes playing a disgraced cop who resorts to peddling illegal recorded memories, complete with sensory input, to people looking for virtual …

[7] Director Kathryn Bigelow (Strange Days, The Hurt Locker) serves up a stylish, brooding vampire tale set in the southwest. I dig Bigelow’s tone, atmosphere, and terrific casting. Bigelow tapped into the Aliens ensemble to cast Bill Paxton, Lance Henriksen, and Jenette Goldstein as a family of nomadic vamps. Paxton and Henriksen bring much-needed energy to the somber storytelling in a pair of fearless, over …

[7] Kathryn Bigelow (Strange Days, Near Dark) won the Oscar for directing this suspense thriller about three soldiers who disarm bombs in Iraq. The movie also won Best Picture, maybe just because nothing better came out during the year (except the REAL best picture, District 9, but I digress). It’s far from groundbreaking and surprisingly predictable — but it’s a brisk, entertaining flick that hits …