Leonard Rosenman

[6] William Wellman’s (Wings, The Ox-Bow Incident) final film is also his most autobiographical, combining his experiences as an American volunteer in the French Legion during World War I with the experiences of a friend who fell in love with a French sex worker. Lafayette Escadrille stars Tab Hunter as the pilot in love, an unruly youth who deserts the Legion and then fights to …

[8] After dealing with the death and resurrection of Spock in the previous two films, director Leonard Nimoy was given free reign with the fourth entry in the Star Trek franchise. Nimoy decided it was time for the series to take a breather — to show its lighter side and let the characters shine. With a script co-written by Nicholas Meyer (Star Trek II: The …

[7] Directed by Irvin Kershner (The Empire Strikes Back) and written by comic book legend Frank Miller, you’d think that RoboCop 2 would be vastly better and more interesting than it is. But for just another inferior sequel, it’s not half bad. The disjointed script eventually boils down to a big confrontation between RoboCop (Peter Weller) and the latest model from his makers at Omni …

[6] It’s mawkish, awkward, and in need of a subtlety injection, but I like Making Love anyway. As one of the earliest big studio mainstream films to feature openly gay characters who are neither serial killers nor flaming queens, I have to give the flick some cred. Michael Ontkean (Twin Peaks) and Kate Jackson (Charlie’s Angels) play best-friend newlyweds whose relationship begins to deteriorate when …

[10] James Dean received the first posthumous acting nomination from the Academy Awards for his performance as the troubled Cal in East of Eden, his first major film role. (He would die tragically just a few months after the film was released.) It’s a riveting performance, one of the most vulnerable and moving I’ve ever seen. The film, directed with style and elegance by Elia …

[10] James Dean stars as Jim Stark, an angst-ridden teenager who quarrels with his parents almost as much as he tangles with high school bullies. I normally hate tough guy movies, and I’d normally put teenagers with puffed-out chests in the same group as mobsters — but Rebel Without a Cause doesn’t glorify bravado. The Oscar-nominated screenplay is more concerned about the vulnerable, real person …