[7] In this adaptation of Stephen King’s book, a mysterious shop opens in a coastal town where customers can buy anything they desire — but at a cost far higher than they realize. When the sheriff (Ed Harris) realizes the shop owner (Max von Sydow) accepts horrible ‘favors’ in lieu of cash, he starts to understand why his once peaceful town suddenly has a rising …
[5] Benicio Del Toro plays the cursed title character in this remake of Universal Pictures’ famous 1941 monster movie. After his brother is discovered mutilated, Del Toro returns home to his father’s estate to find out who killed him. Anthony Hopkins brings gravitas as the father, and Emily Blunt pours her heart out in the role of the dead brother’s fiancée. In searching for the …
[6] Thomas Horn stars as an nine-year-old boy who searches New York city for the lock to a mysterious key owned by his father, one of the victims of the World Trade Center attack on September 11, 2001. I can’t make up my mind if it’s clever or overly-sentimental that Horn’s character has Asperger’s syndrome. On one hand, his lack of emotional perception keeps the …
[5] SPOILER REVIEW: Leonardo DiCaprio stars as a U.S. Marshall sent to a hospital for the mentally insane to investigate the disappearance of one of the patients. But as the hospital tries to obscure the truth, DiCaprio’s character starts to lose his grip on reality. Martin Scorsese certainly knows how to create atmosphere and suspense, but Shutter Island suffers from a bad case of plot-twist …
[4] Sean Connery returns for his final outing as James Bond in Never Say Never Again, a remake of Thunderball and the only Bond film not produced by Cubbi Broccoli’s EON Productions. Since it’s an “unofficial” entry in the franchise, you won’t hear Monty Norman’s famous theme music anywhere, nor will you see another snazzy title sequence from Maurice Binder. And who are these strange …
[3] Linda Blair’s still got demons, and Richard Burton’s trying to figure out what happened to the nice priests who got pea soup all over them in the first movie. Exorcist II: The Heretic is convoluted and esoteric, the action is minimal, and the horror non-existent. John Boorman (Excalibur, Deliverance) delivers a highly odd, surreal, and ultimately terrible sequel to The Exorcist. The cheap sets, …
[8] Dino DeLaurentiis foots the bill for this gravely ambitious film adaptation of Frank Herbert’s classic sci-fi novel about the messianic rise of an off-lander who rallies a reclusive desert civilization in a fight against galactic takeover. Hot off The Elephant Man, David Lynch was chosen as director — a bold but inspired choice. And in the end, it’s Lynch’s style and aesthetic taste that …
[6] A CIA researcher tries to avoid multiple assassins until he learns who he can trust in this well-made suspense thriller that prophesied the current oil crisis and the wars therein. Robert Redford carries the movie superbly as always, and Max Von Sydow is good as a cold-hearted hitman. Faye Dunaway’s talent is a bit wasted, dealt a poorly-written character who sleeps with Redford right …
[7] A well-structured, lovingly-crafted sword and sorcery flick. Arnold Schwarzenegger, limited as he may be, was born for this role and Basil Poledouris’ score is among the best ever recorded for film. Writer/director John Milius seems rushed at times, but some scenes are extraordinarily polished. I love the first half-hour most of all. The death of Conan’s mother could not be done better. It’s all …
[7] J.J. Abrams (Lost, Super 8) takes the directing reigns from creator George Lucas and delivers a better film than any of the prequels. Original core cast members join new players in a script co-written by Abrams and Lawrence Kasdan, who penned The Empire Strikes Back and Return of the Jedi with Lucas. The story takes place thirty years after the events of Return of …
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