[3] Maybe Alice Sebold’s novel is a different and more worthwhile experience. But not having read it, I’m pondering what the hell I’m supposed to take away from Peter Jackson’s film adaptation of The Lovely Bones. The movie is about a dead 14-year-old (Saoirse Ronan) who is stuck in some sort of purgatory where she can look in on her grieving family, as well as …
[7] Yorgos Lanthimos (The Lobster, Killing of a Sacred Deer) brings his off-kilter humor to this dark period-piece comedy about a poor but clever scullery maid (Emma Stone) who ingratiates herself to England’s ailing Queen Anne (Olivia Colman) with intentions of replacing the Queen’s longtime confidante and political proxy (Rachel Weisz). You can think of it as a quirky retelling of All About Eve. The …
[6] So, fifteen minutes into The Fountain, you get a bald man sitting in a snow globe talking to a tree while drifting through space. At that point, you either go with writer/director Darren Aronofsky (Pi, Requiem for a Dream), or you shut the movie off to make the pain go away. Fortunately, that initial leap of faith is the hardest. I started to dig …
[6] A British diplomat in Kenya tries to solve the mystery of his activist wife’s murder, only to get in over his head with the culprits — a pharmaceutical company that is intentionally poisoning and killing people. The first third of the film belongs to Rachel Weisz, who plays the deceased wife in a series of flashbacks. Weisz took home the Oscar for best supporting …
[7] An aimless playboy and a dorky middle-schooler become friends through serendipity in About a Boy, based on the book by Nick Hornby and directed by Chris and Paul Weitz of American Pie fame. Hugh Grant plays the playboy, coasting on royalties from a famous song his father wrote. Nicholas Hoult, who would later grow up to later star in X-Men: First Class and Warm …
[5] It takes a while for Sam Raimi’s Wizard of Oz prequel to pull its shit together and make you care a little about what’s happening, but the final act’s (digital) pyrotechnics and displays of combative sorcery help pull the movie just barely into the safe zone. The casting leaves something to be desired. James Franco, whom I normally like, is surprisingly bland in a …
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