Roland Emmerich

[1] Roland Emmerich must be stopped. Since 1996’s Independence Day, the director has been obsessed with apocalyptic disaster movies like Godzilla, 10,000 BC, The Day After Tomorrow, and 2012 — each one exponentially dumber than the preceding. When I heard he was directing a movie about the moon falling to Earth, I though, ‘Well, of course he is.’ I knew to expect mass destruction and …

[2] A giant radioactive lizard terrorizes New York City. There are probably at least 100 different ways this could have been more interesting and exciting, but producers Dean Devlin and Roland Emmerich (Independence Day) instead opt to make their Godzilla movie two hours and twenty minutes of  implausible, joyless tedium. The characters (if you could call them that) have no spunk, no personality, nothing to …

[4] The first Independence Day is one of those films that strikes just the right tone, something between earnest and goofy-as-hell, genuinely terrifying and gloriously indulgent. It was like the best possible kind of Irwin Allen disaster movie, where the spectacle was off-set by a charming ensemble of personalities and attitude was an acceptable replacement for character development. In all these regards, the sequel fails to …

[7] The Irwin Allen disaster epic is alive and well in this 1996 summer blockbuster in which evil aliens threaten to destroy Earth, leaving it up to a rag-tag team of politicians, soldiers, and scientists (plus a drunken crop-duster and a pole dancer!), to save humanity. The writing and directing team of Roland Emmerich and Dean Devlin (Stargate, Godzilla) almost strike the perfect tone for …