Thomas Jane

[6] Scientists working at a remote ocean laboratory have grown giant sharks to harvest for a protein they believe could cure Alzheimer’s disease. As they prove their theory and prepare to celebrate, though, the sharks turn on their captors and gain the upper hand. The facility begins flooding and the sharks begin feeding in this action horror movie that’s part Jaws and part Poseidon Adventure. …

[1] When I heard Shane Black (Kiss Kiss Bang Bang, screenwriter behind Lethal Weapon) was directing and Fred Dekker (The Monster Squad) was cowriting, I thought The Predator would have the right ingredients for a successful relaunch. I don’t know to what extent studio interference played a part, but if I were Black or Dekker I would have had my name removed from this film …

[3] James Marsden, Thomas Jane, and Piper Perabo star in this wannabe animal attack movie that’s really just an overwrought drama about estranged brothers burying the hatchet. The squabbling between the two men (all the men in the movie, actually) gets pretty tedious, and you have to be prepared to get some cheese sprayed on you as well — Perabo’s character is deaf, and she …

[5] While traveling through the desert, newlyweds pick up a car-wreck survivor who plunges them into a night of suspicion and suspense. Thomas Jane (The Mist, Hung) makes his directorial debut with Dark Country. On one hand, I admire his attempt to blend film noir with comic book aesthetics, but the movie relies on constant green-screen work that’s poorly executed. The script by Tab Murphy …

[8] Frank Darabont dives back into the Stephen King well and comes out with a winner. The Mist is about a disparate group of people who end up trapped together in the local grocery store when a strange, scary mist suddenly engulfs the town. Anyone who travels out into the mist is killed by mysterious, unseen creatures. In addition to the apocalyptic angle, you can …

[5] John Toll’s cinematography and Hans Zimmer’s music will wash over you in an ecstatic kind of way in The Thin Red Line. The shots rolling over wind-swept grassy hills are mesmerizing and director Terrence Malick incorporates many other elements of nature throughout his telling of James Jones’ story centered around Guadalcanal in World War II. The biggest takeaway seems to be that we and …