Tim Burton

[8] Director Tim Burton (Batman, Ed Wood) followed his debut feature, Pee Wee’s Big Adventure, with this stylish fantasy-comedy about a young deceased couple (Alec Baldwin and Geena Davis) trying to haunt an annoying new family out of their quaint countryside home. When the new family ends up more amused than alarmed by their ghostly antics, they’re left with no choice but to summon the …

[7] Director Tim Burton puts his stamp on Washington Irving’s The Legend of Sleepy Hollow, casting his Ed Wood and Edward Scissorhands star Johnny Depp in the role of Ichabod Crane. In this retelling, Crane is a 1799 New York forensic investigator sent to Sleepy Hollow to investigate a string of murders. The townspeople tell him the victims are decapitated and their heads haven’t been …

[7] Director Tim Burton (Edward Scissorhands, Alice in Wonderland) turns Disney’s animated classic into a live-action film that is both a remake and a sequel. Dumbo follows the original story in broad strokes, with Danny DeVito running a down-on-its-luck traveling circus where a baby elephant with enormous ears is born. At first, the baby is considered a freak. But two children of a returning war …

[5] Tim Burton’s big-screen adaptation of Dan Curtis’ cult TV show Dark Shadows wants to be a comedy about a vampire transplanted from centuries past into the 1970s. That movie – one that focused on the vampire’s relationships with his surviving relatives, perhaps gaining their trust by helping them financially — could have been a good one. And thirty minutes into the movie, it looks …

[7] Tim Burton reunites with Ed Wood scribes Scott Alexander and Larry Karaszewski for arguably his best film since 1999’s Sleepy Hollow. Amy Adams stars in the true story of Margaret Keane, the kitschy but iconic painter of the so-called “big eyes” painting series that became popular in the 1950s and 60s. Margaret was convinced to let her husband Walter (Christoph Waltz) take the credit for her paintings, …

[2] There’s precious little to keep you interested in this hideous-looking and busily boring shit-fest of a film that is both a nadir for director Tim Burton’s creative trajectory and emblematic of everything wrong with Hollywood in the early 21st century. Much muchness? Indeed. Alice in Wonderland is the cinematic equivalent of a priapism.

[8] Anything but ‘more of the same’, Tim Burton’s sequel dives into the troubled psyches of its headlining trio — Batman, Catwoman, and The Penguin.  Michael Keaton’s Batman still plays second fiddle to the villains, but what fascinating villains they are. Burton is careful to show us how they become their alter egos, giving each of them full character arcs complete with bittersweet resolutions. Danny …

[10] I doubt Tim Burton will ever make a finer film. Armed with a powerhouse screenplay by Scott Alexander and Larry Karaszewski (The People vs Larry Flynt), Burton turns the biography of Hollywood’s most infamously bad director into a poignant and hilarious film about never giving up… no matter how much you might suck. The film is admittedly white-washed, concentrating and embellishing upon Ed Wood’s …

[9] A naive Avon lady discovers a strange young man named Edward who has scissors for hands living in an abandoned castle and decides to bring him home to her suburban community. At first Edward is the talk of the town, but when the novelty wears off, Edward must decide which is worse — the scorn of the mob or the loneliness of his old …

[9] It’s hard to believe we once lived in a time when superhero movies didn’t monopolize the multiplexes. Such a time was the summer of 1989, when Warner Brothers’ very first big-screen version of Batman was due to be released. Many declared the film a folly. Indeed, a superhero film hadn’t been successful since Superman II nearly ten years earlier and most of the world …