[7] Agent 007 must stop an arms dealer from starting World War III in the 15th installment in the long-running franchise. Timothy Dalton makes his debut as James Bond. The Living Daylights is less campy than many previous Bond films, attributed largely to Dalton’s more serious take on the character. What it lacks in cheeky charm, it makes up in action. The script does a spectacular …
[5] Licence to Kill is the anti-Bond. Timothy Dalton is out for revenge in this one (his second and final outing in the role), and the performance is desperately missing the character’s trademark nonchalance. Without it, it just isn’t Bond. It’s one of a number of generic 80s action flicks fueled by revenge, centered around the drug trade, full of explosions, and scored by Michael Kamen …
[8] This is an underrated comic book adaptation with slick, period production design and top-notch action choreography from director Joe Johnston (Honey, I Shrunk the Kids, October Sky). There’s a gee-whiz ebullience about The Rocketeer that I find utterly charming. Bill Campbell and Jennifer Connelly (future Oscar-winner for A Beautiful Mind) are attractive leads, even if their archetypal characters are somewhat shallow. Timothy Dalton’s villainous …
[10] Which of King Henry II’s sons will succeed him on the throne? This question is rife with political intrigue, personal vendettas, and intense family drama in The Lion in Winter. The relationships are fascinating to watch unfold. The three sons will stop at nothing to wear the crown. King Henry has his favorite, and his wife Eleanor has hers. Their desires come to a …
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