[8] Julie Andrews stars as a magical nanny who swoops into a turn-of-the-century London family’s home to help two neglected children (Karen Dotrice and Matthew Garber) reconnect with their busy-body parents. Mary Poppins is often regarded the best of Walt Disney’s live-action efforts, thanks to an effervescent combination of music and fantasy, and charismatic performances from Andrews and co-star Dick Van Dyke, who plays a …
[3] Vying with Nazi Germany to create ties in South American countries during World War II, the U.S. government guaranteed Walt Disney federal loans to produce animated films celebrating South American culture. Saludos Amigos is the first resulting film from this strategic effort (the second would be The Three Caballeros). It would also be the first of Disney’s “package” features — combinations of short subjects …
[3] In an abstract void of color gradation, it’s Donald Duck’s birthday. He magically receives three strange presents that transform into song-and-dance lessons about Mexico and South America, featuring two other cartoon birds named José Carioca (a parrot) and Panchito (a rooster). A five-year old might be entranced by the bright Technicolor imagery and lively music featured in The Three Caballeros, but the frenetic pace …
[7] Producer Walt Disney brings Jules Verne’s adventure to the big screen in his first live-action feature, one that nearly bankrupted the studio and ended up being the most expensive movie ever made up to that time. James Mason stars as Captain Nemo, who uses his advanced submarine, the Nautilus, to destroy war-faring vessels. After one such attack, he picks up a sailor, a professor, …
[4] The Darling children — Wendy, Michael, and John — take a magical trip to Neverland with a hero only children can see or believe in: Peter Pan. Once there, they meet Pan’s Lost Boys, visit the mermaids, pow-wow with the Indians, and have a couple of entanglements with the dastardly Captain Hook. Peter Pan is not one of my favorite Disney animated ‘classics’. I …
[6] From a technical and artistic point of view, this may be the finest animated film ever made. But it’s also dull. I dislike how the three floating fat ladies (Flora, Fauna, and Merryweather) steal the show, while the prince and princess are given all the personality of tree stumps. Fortunately, artistry goes a long way. Sleeping Beauty is Disney’s most exquisite work. I love …
[7] The world’s first animated feature film holds up pretty well, even if feminism has rendered its heroine somewhat outdated. Snow White herself is a little annoying, not only because she sits around waiting for her “prince to come”, but also because Adriana Caselotti’s voice is so darned squeaky. But I enjoy the darker aspects of the film, including Snow White’s fear-induced flight through the …
[7] Walt Disney was somewhat ahead of his time experimenting with music and animation in Fantasia, an astounding achievement of artistry, craftsmanship, and innovation in animation. I dig Fantasia, but it’s an uneven mix. The host segments do not stand the test of time and it caters to an impossible audience by combining cutsey narrative segments with more abstract ones. The biggest eyesore for me …
[8] It may be one of the most atypical Disney animated film, but I thoroughly enjoy The Emperor’s New Groove. It’s by far the funniest Disney flick I’ve ever seen, reminding me more of a Warner Brothers Looney Tune than anything Walt might ever have conjured. The irreverent script focuses on four very engaging characters, two good and two evil, and lets them run the …
[7] The Reluctant Dragon is an odd but interesting hybrid of anthology feature and behind-the-scenes documentary. It’s about a man whose wife convinces him to take a children’s storybook titled The Reluctant Dragon to Walt Disney so that he can make it into a new cartoon. Once the man, humorist Robert Benchley, arrives on the Disney studio lot, he continually evades his tour guide and …
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