[6] Eastwood directs and stars in this Western tale of revenge. The most interesting thing about Pale Rider is the mysterious nature of Eastwood’s character, a preacher/gunfighter who enters a mining colony’s life in answer to a young girl’s prayer. The film suggests he might be a ghost, and without this ambiguity, the movie is pretty standard genre fare. Bruce Surtees gets kudos for making …
[6] Robert Altman uses the circus-like atmosphere of Buffalo Bill’s Wild West Show for a commentary on racism and the whitewashing of American history. It’s actually a pretty light-hearted film built around Buffalo Bill’s contentious relationship with Sitting Bull. Paul Newman is reliably good as the exasperated Bill, pushed to his wits’ end by a stubborn but commercially valuable Indian who quietly challenges his authority …
[7] John Wayne worked pretty much right up until the end of his life, and even in that last decade there are gems to be found. Chisum stars Wayne as the title character, John Chisum, a New Mexico cattle baron who ends up in a battle with a greedy tycoon named Lawrence Murphy (Forrest Tucker). As Murphy buys up all the local business in town …
[5] Robert Mitchum headlines this William Wellman flick about a family battling their personal demons while also trying to hunt and destroy a near-mythical black panther that is preying on their cattle during a deadly snowstorm. Mitchum plays one of three brothers, along with William Hopper and Tab Hunter. Mitchum and Hopper go off into the blizzard to kill the panther, but the family’s just as …
[4] I’d never seen Heaven’s Gate until recently. For decades, it has been the title synonymous with “flop” and studio bankruptcy, but it has also been picked back up, reexamined, and declared somewhat of an artistic treasure in recent years. The story centers around a bloody ongoing battle in 1890s Wyoming between rich cattle barons and struggling immigrant settlers. The settlers steal cattle to feed their …
[7] In 1880’s Nevada, news spreads of the murder of a local cattle farmer, inciting a few dozen townspeople to form a posse hellbent on lynching those responsible for the crime. Based on the book by Walter Van Tilburg Clark and directed by the always-thoughtful William Wellman (Wings, Battleground), The Ox-Bow Incident is a relatively simple, straight-forward meditation on mob mentality and vigilante justice. When …
[5] This early Oscar-winning best picture is uneven at best. Richard Dix makes for a hammy lead, while Irene Dunne is stuck playing his harpy of a wife. The film follows the two as they move west to Oklahoma at the end of the 1800s. The second half of the movie skips through so much time and character development, I felt pretty discombobulated by the …
[7] In one of his better westerns, Errol Flynn leads a ragtag team of Confederate soldiers west to do Robert E. Lee’s bidding. Along the way, he rescues a damsel in distress from marauding Indians, only to learn she’s betrothed to a Union officer whose troops are on the lookout for her. Think Lifeboat on a mountainside. I enjoyed the relationships between the Union and …
[6] Ron Howard directs Cate Blanchett and Tommy Lee Jones in The Missing, an estranged father/daughter bonding flick by way of The Searchers. The story is set in motion after Blanchett’s eldest daughter is kidnapped by an evil Apache mystic who is collecting young women to sell at the Mexican border. Blanchett and Jones are reliably good, and Jenna Boyd is superb as the youngest …
[7] I prefer the more crude and raw qualities of the first film over this sequel, which may be a little more polished but is also a bit less mysterious. Clint Eastwood’s Man with No Name is upstaged in the end by Lee Van Cleef as a rival bounty hunter, but director Sergio Leone still fuels the film with enough piss and vinegar to make …
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