[8] A family tragedy reunites three men who share a traumatic childhood experience in Mystic River. Sean Penn and Tim Robbins took home richly-deserved Oscars for their performances in this Oscar-nominated best picture from the ever-reliable Clint Eastwood. Mystic River is a gripping, well-paced mystery that employs misdirection and plot twists better than any other film in recent memory. Eastwood is at his directorial best …
[6] Judi Dench and Jim Broadbent star in this true but tragic love story about lovers of 40 years who are torn apart by Alzheimer’s Disease. Dench is portraying novelist Iris Murdoch, a lover of language who begins losing her ability to communicate, becoming more and more lost in her own inner world. Broadbent plays her devoted husband, desperately trying to understand her and keep …
[7] What appears to be a hackneyed vacation nightmare movie turns out to be a fresh thriller from reliable writer/director David Twohy (Pitch Black, Below). The script takes a cue from Scream, reaching a level of self-reference that allows it to exceed genre expectations. I often criticize movies for indulging in unnecessary plot twists, but not this time. Twohy’s twists are well conceived and executed. …
[6] A demented German surgeon connects the gastro-intestinal tracts of two hapless American women and a Japanese man to create a ‘human centipede’ in this sick little horror flick from Dutch director Tom Six. The film is most horrifying before the operation, where the surgeon (played most creepily by Dieter Laser), gives his victims a slide show presentation of what he’s about to do with …
[7] Viggo Mortensen travels with his young son (Kodi Smit-McPhee) across a post-apocalyptic wasteland in this bleak drama based on the novel by Cormac McCarthy. The premise is intriguing, far more than the movie dares explore, even with an R-rating. The storyline hangs on the intimate relationship between father and son. Viggo is frighteningly open with the boy, explaining how they’re going to have to …
[5] You know this story by now, even if you haven’t seen the movie: Girl meets vampire, girl wants to screw the vampire, but vampire is too good for that shit. I don’t generally like a story where one character pines obsessively over another (which is why I don’t like most John Cusack movies), so when two characters start pining obsessively, I’m bound to be …
[3] Sandra Bullock gives her most offputting and peculiar performance in All About Steve, a film that sets the feminist movement back about fifty years. Bullock plays Mary, a woman in her forties who lives with her parents, tries to make a meager living creating crossword puzzles for her local paper, and who inexplicably falls head-over-heals obssessively in love with a blind date (adorable Bradley …
[3] Chris Evans and Dakota Fanning star as supernaturally gifted people on the run from a government agency that wants to control their powers. Think X-Men, but way watered down and not nearly as cool. There’s some mediocre action in the beginning and a little more at the end, but the long middle portion of this movie is tediously boring, overburdened with more plotting and …
[7] Russell Crowe and Jennifer Connelly are at the top of their game in A Beautiful Mind, Ron Howard’s Oscar-winning biopic about John Nash, the brilliant but haunted mathematician who overcame schizophrenia and received the Nobel Prize. These are the best performances I’ve seen from Crowe and Connelly — their relationship is the glue that holds the film together. The first two-thirds of the movie …
[5] This haunted hotel room flick, based on a short story by Stephen King, brings nothing new to the haunted house subgenre. It even veers straight into cliches like dramatic temperature changes, ghostly images of murders past, and (my favorite) the paintings that change. I know it must be hard to breathe new life into a tired formula, but screenwriters Scott Alexander and Larry Karaszewski …
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