2010’s

[6] Jupiter Ascending is probably the last big-budget studio picture from Andy & Lana Wachowski, the creators of The Matrix trilogy and some other movies that failed to live up to expectation. I admire the Wachowski’s ambition and I appreciate how they always try to push the envelope with content and execution. It’s not always a success, unfortunately. Jupiter Ascending is a huge, epic story …

[6] Pete Travis directs from a script by Alex Garland (Ex Machina, Sunshine) this second attempt to bring the comic book character Judge Dredd to the big screen. This is a smaller-scale production than the 1995 Sylvester Stallone version, but it’s a tighter story with more tonal consistency (no Rob Schneider here, kids). Travis and Garland’s version starts off strong, introducing us to Judge Dredd …

[6] Director John Madden (Shakespeare in Love) takes us once more to the Marigold well, reuniting all the original cast members and throwing Richard Gere into the mix. Gere plays a mysterious American who may or may not be a financial inspector whose opinion could make or break the Marigold’s franchising to a second location. Judi Dench’s character is offered a new career, all while …

[7] John Madden, the director of Shakespeare in Love, serves up an adaptation of Debora Moggach’s novel about an eclectic group of aging Brits who manage to turn their lives around for the better at a rundown hotel in India. I couldn’t argue with anyone claiming this movie is a pandering, formulaic feel-good dramedy — it is. But when you have the likes of Judi …

[6] Alexander Payne (Election, About Schmidt) directs from a script by Bob Nelson this father/son road trip story about a senile old man who mistakenly thinks he’s won a Publisher’s Sweepstakes and insists on getting to Lincoln, Nebraska, to pick up his winnings — at any cost. Bruce Dern plays the old man and Will Forte plays his son. This is one of those movies …

[8] Hot off his Best Director Oscar for Birdman, Alejandro González Iñárritu delivers another astonishing directorial effort. The Revenant is shot entirely outdoors with available lighting, capturing the story of an 1820s fur trader (Leonardo DiCaprio) who is viciously mauled by a bear and left for dead by a traitorous fellow trader (Tom Hardy). DiCaprio and Hardy are both equally up to the task here, …

[8] I haven’t particularly liked any Rob Zombie movies until this one, which is strange because his devoted fans — by and large — detest this movie. The Lords of Salem features masterful style and cinematic execution, often reminding me more of a Stanley Kubrick or David Lynch film. Sheri Moon Zombie stars as a young woman who unwittingly opens the door for a coven …

[7] Michael Douglas plays Liberace for director Steven Soderbergh in this fast-paced tragi-romantic-dark comedy about the famed pianist’s five-year relationship with a man forty years his senior. Matt Damon plays young Scott Thorson, the naive pretty boy who falls under Liberace’s spell. Their relationship is highly odd, sometimes disturbing, but often tender — definitely compelling enough to hang a movie on, especially when it’s so …

[7] Director Jennifer Lynch (Boxing Helena) explores the relationship between a serial killer (Vincent D’Onofrio) and a young boy he kidnaps and raises to follow in his footsteps. Lynch keeps the film anchored in a dual character study and, despite a modest amount of gore, the most disturbing moments are when the mentor and the protege seem to be connecting. The film hinges on whether …

[8] Quentin Tarantino’s eighth film (because he’s counting) is a three-hour long claustrophobic western about eight characters holed up in a lodge during a snowstorm who all have reason to kill one another. Leading the ensemble cast are Kurt Russell as a bounty hunter, Jennifer Jason Leigh as his ruthless, almost feral captive, Samuel L. Jackson as a Union major delivering corpses for reward money, …

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