[6] Terminator: Salvation is passable summer entertainment held together by a sliver of thematic sci-fi integrity and a strong supporting performance by Sam Worthington (Avatar). Why Christian Bale opted into this movie is beyond me — it’s a thankless role. He’s easily outshined by Worthington, whose character carries all the dramatic weight of the story. Anton Yelchin, as a young Kyle Reese (Michael Biehn’s character …
[8] George Lazenby makes his one and only appearance as 007 in this underappreciated installment of the series. Lazenby was a model with little-to-no acting experience trying to take over a role that Sean Connery made iconic. With that said, the amazing thing about On Her Majesty’s Secret Service is how good it is in spite of Lazenby’s contribution. The story this time centers around old …
[5] Ryan Reynolds and Samuel L. Jackson star in this tepid action/comedy that feels too inspired by buddy flicks like Lethal Weapon and Kiss Kiss Bang Bang for its own good. Reynolds plays a down-and-out bodyguard hired to protect an incarcerated hitman (Jackson) while he’s escorted to trial where he’ll testify against a deadly dictator (Gary Oldman). The plot is a hack job if there …
[8] When it comes to graphic novels brought faithfully to cinematic life, 300 is one to beat. It’s the simple story of how three hundred proud Greek soliders stood valiantly against overwhelming Persian forces in the Battle of Thermopylae. More than anything, 300 is an exercise in style, and with its equal doses of bloodshed and ripped male torsos, it’s probably one of the most …
[6] Roger Moore makes his debut as James Bond in Live and Let Die, a weird blend of voodoo magic and blaxploitation that stands apart from any other entry in the Bond ouvre. Moore does an admirable job taking over the role from Sean Connery. I actually prefer Moore, but I grew up with him in the role, so I’m understandably biased. Live and Let …
[7] A woman with amnesia begins discovering her past as a deadly assassin in this high-octane action flick from director Renny Harlin. The Long Kiss Goodnight is good hokey fun at a frantic pace. Geena Davis and Samuel L. Jackson are both good in an action movie, even if their chemistry leaves something to be desired. Screenwriter Shane Black’s dialogue is hit and miss, sometimes …
[8] A murdered man comes back from the dead to exact revenge on the people who killed him and his fiancee. The Crow is a dark visual delight featuring a charismatic performance from the late Brandon Lee as the title character. (Lee died in an on-set accident before the film was completed.) Stories of revenge always risk a boring second act where we’re forced to watch …
[6] Sean Connery returns one more time (not counting his appearance in 1983’s unofficial entry, Never Say Never Again) in what is easily the silliest of his Bond films. Charles Gray picks up the part of archvillain Blofeld, who this time is hording the world’s diamond supplies so that he can build an orbiting laser gun to terrorize the world. I like the light, breezy …
[2] John Carpenter has given us a handful of gems over the years, but Ghosts of Mars is not one of them. The movie’s too exotic for its own good. It starts with some quick but tedious exposition, then plops us off in a confusing, alienating environment with little to latch onto. The story has something to do with ghosts and a bunch of leftover …
[6] The stakes are lower than usual and the action in short supply, but Roger Moore’s second outing as James Bond almost makes up for it in character. The colorful supporting cast includes Christopher Lee as a three-nippled baddie and diminutive Hervé Villechaize (TV’s Fantasy Island) as his lethal handy-man. Britt Ekland and Maud Adams are the Bond girls this time around, and I’d rank both of …
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