[4] Vin Diesel and Paul Walker star as hot dudes who drive fast cars, apparently for the third or fourth time. I would never have given this kind of movie a look if it weren’t for the unusually good notices it received, but the critics really led me astray on this one. Granted, I’ve never seen a Fast & Furious movie before this, so maybe …
[6] Jonah Hill and Channing Tatum go undercover at college to bust another drug lord in a sequel that is admittedly and unabashedly more of the same. But the sequel is even more bromantic than the first, playing the relationship so serious at times, it’s not even comedy anymore. I gotta give these 21 Jump Street movies credit for helping remove the stick from straight …
[6] Channing Tatum and Jonah Hill star in this big-screen adaptation of the Fox TV show, about two young cops who go undercover at a high school to help find the supplier for a new, deadly drug. Young directors Phil Lord and Christopher Miller (The Lego Movie) do well with Michael Bacall’s (Manic, Scott Pilgrim vs the World) screenplay, keeping things light, irreverent, and even …
[6] While there are signs that Suicide Squad is a film rushed to completion and feels at times torn in different creative directions (sources report the studio made extensive revisions after the lukewarm reception of Batman vs Superman), the end product isn’t half bad. The first half of the film moves by very excitingly, as two-time Oscar nominee Viola Davis doles out backstory like it’s …
[7] Director Joss Whedon (Buffy the Vampire Slayer, Serenity) does a better job than most others in the past ten years bringing a superhero franchise to the big screen. What makes The Avengers work are character and humor, the elements from which Whedon has constructed a downright rabid cult empire. None of the ensemble cast get slighted in screen-time and Whedon does an admirable job …
[7] Christopher Nolan wraps up his Batman reboot trilogy by pitting the vigilante superhero against the villain Bane and introducing Catwoman into the mix. Coming in with low expectations (how could they top the last one?), I was pleasantly surprised by how much I enjoyed this movie. The first half is rather cumbersome to get through, but never boring. The last half ratchets up both …
[4] The first Independence Day is one of those films that strikes just the right tone, something between earnest and goofy-as-hell, genuinely terrifying and gloriously indulgent. It was like the best possible kind of Irwin Allen disaster movie, where the spectacle was off-set by a charming ensemble of personalities and attitude was an acceptable replacement for character development. In all these regards, the sequel fails to …
[8] Bryan Singer returns to helm his fourth film in the X-Men series, and he hits another home run. This one picks up some number of years after the events of Days of Future Past, as an ancient all-powerful baddie named Apocalypse (played by Oscar Isaac, Poe from Star Wars: The Force Awakens) is accidentally resurrected in Egypt. To be honest, I don’t care for …
[7] It’s the third Captain America movie, but since most of the Avengers cast is reunited, it feels more like Avengers 3. Not that it matters — these movies all start to feel the same anyway. I like how this one starts, dealing with the aftermath of all the cataclysmic damage the Avengers team has accidentally caused in various countries while battling all their supernatural …
[8] Looper is a mash-up of mobster movie and sci-fi time travel flick, but rather than getting caught up in its own clever twists on a (let’s face it) hackneyed sci-fi sub-genre, the movie is wisely more concerned with creating an emotionally gripping story. It moves and builds perfectly, dividing your empathy for its fully-fleshed characters in a story that shuns black and white to …
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