[4] Christopher Reeve returns as the ‘man of steel,’ along with several of his supporting players. Unfortunately, the third time is not a charm. The screenplay is a fractured, incoherent mess. We get the Richard Pryor character’s rise to influence, Clark Kent’s return to Smallville, and Superman’s battle with a super-computer all in one movie. Director Richard Lester returns (after directing part of Superman II), …
[7] In the third Bond film, agent 007 (Sean Connery) is trying to stop a nefarious gold tycoon from breaking into Fort Knox. Goldfinger is still one of the most popular entries in the franchise because it has everything we’ve come to expect in a Bond flick. Goldfinger himself is the quintessential Bond villain. He knows it’s not enough just to have a wicked plan. …
[8] It’s formulaic, overblown and downright preposterous at times, but it’s also everything moviegoers want in a summer action movie. Speed has a tight, rapid-fire script, awesome sound design, a remarkably kinetic score, and surprisingly good acting for a movie of its type. Sandra Bullock gives a sweet, naturalistic performance as a woman stuck driving a bus full of passengers that will explode if it …
[7] The sequel is more of the same, but that’s not always a bad thing. There’s enough talent in front of and behind the cameras in the Lethal Weapon movies to warrant at least one or two entertaining sequels. The plot is a bit less compelling, and the love story with Patsy Kensit is haphazardly tacked on, but there’s plenty of action and fun banter …
[8] Mel Gibson and Danny Glover star in this definitive ‘buddy cop’ movie directed by Richard Donner (Superman, The Omen). What sets this apart from its imitators are the well-rounded characters created by screenwriter Shane Black, and the engaging chemistry between Gibson and Glover. Lethal Weapon is a highly polished action flick. In addition to Donner’s slick staging, the film also sports terrific night-time cinematography …
[7] Christopher Nolan successfully reboots the Batman franchise by taking a cue from Bryan Singer (X-Men), who showed the world how much better a comic book movie could be by taking its subject matter seriously. While the approach works for this Batman film, I must admit that I personally prefer my Batman movies to be hyper-stylized and gothic as all get out, which Tim Burton …
[8] Without the burden of exposition, Christopher Nolan molds his Batman sequel into a compelling crime drama that probes deep into the frightening psyches of Bob Kane’s characters. No Batman movie, or comic book movie for that matter, has ever been so character-driven or intricately plotted. It’s complex, emotional, disturbing, and almost a masterpiece. I still have reservations about Christian Bale as Batman, but the …
[7] SPOILER REVIEW: Technically, there are spoilers in this review. But if you look at the movie’s credits, you shouldn’t be surprised by them. Although we’ll probably never really know for sure, it looks to me like Joss Whedon saved Justice League from Zack Snyder. The movie has character and heart and it’s paced like a real movie, whereas Snyder’s movies lack character and heart, and, …
[7] After a mediocre beginning and a truly shitty-ass sequel, Marvel has made the wise decision of scrapping the Thor character as originally conceived and giving him a personality make-over. And that’s why it feels like Thor has been possessed by Star Lord from the Guardians of the Galaxy movies. It’s a calculated move, for sure. But does it make Thor more interesting to watch? Hell, …
[7] Chris Pine, Tom Hardy, and Reese Witherspoon star in this McG-directed comedy-action flick about two CIA guys who find themselves competing for the same woman’s affections. The script is born of stale formula, but the plot is kept out of the way enough for the personalities to breathe free. The result is a good star vehicle for its two leading men, but not so …
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