[7] Russell Crowe and Jennifer Connelly are at the top of their game in A Beautiful Mind, Ron Howard’s Oscar-winning biopic about John Nash, the brilliant but haunted mathematician who overcame schizophrenia and received the Nobel Prize. These are the best performances I’ve seen from Crowe and Connelly — their relationship is the glue that holds the film together. The first two-thirds of the movie …
[7] John Ford reteams with frequent leading man John Wayne in what is often considered one of the best Hollywood westerns ever made. Wayne plays Ethan Edwards, a loner returning home from the Civil War. After his brother’s family is murdered by Camanches, Ethan begins a five-year search for his kidnapped niece (Natalie Wood). Wayne plays more than a charicature of himself for once, bringing …
[4] Director David Slade (Hard Candy, 30 Days of Night) tries to elevate the material to Lord of the Rings status, with several gratuitous aerial fly-over shots and a suitably brooding score from ‘Rings’ composer Howard Shore. But, somehow, infuriatingly, and against all probably odds, Eclipse is still an interminable snooze-fest. The first three-quarters are like New Moon all over again (ie, Chinese water torture). …
[6] Eastwood directs and stars in this Western tale of revenge. The most interesting thing about Pale Rider is the mysterious nature of Eastwood’s character, a preacher/gunfighter who enters a mining colony’s life in answer to a young girl’s prayer. The film suggests he might be a ghost, and without this ambiguity, the movie is pretty standard genre fare. Bruce Surtees gets kudos for making …
[6] Olivia de Havilland won her first Oscar for this sudsy soap opera about a woman who gives up her infant son and spends the rest of her life trying to reconnect with him. The melodrama may be an acquired taste, but no one can steal audience sympathy better than de Havilland. I went with it, happy ending and all. In a neat (and slightly …
[6] No, it’s not a movie about a whore. It’s Greer Garson, for fuck’s sake! Her Twelve Men, also known as Miss Baker’s Dozen, features Garson as a new teacher at an all- boys’ school where she’s not made to feel terribly welcome. The head of the school (Robert Ryan) doesn’t think she’s qualified and since she’s the first female faculty member they’ve ever known, …
[8] A movie about corporate betrayal and litigation is normally not my idea of a good time, but The Social Network turns out to be a well-made, voyeuristic look back at the birth of a now-ubiquitous product that many users can’t live without. In fact, you wouldn’t be reading this review without it. Screenwriter Aaron Sorkin (The West Wing) is a shoe-in come Oscar time …
[3] Robert Altman made his directorial debut with this inauspicious teenaged rebellion romp. Tom Laughlin stars as Scotty, a young guy who just wants to hang with his girlfriend (Rosemary Howard), but her parents intervene to keep them apart. So poor old Scotty does what all grown-ups in 1950s America thought teenagers did: he joins a gang of hoodlums. The girlfriend gets caught up in …
[4] Katharine Hepburn goes as far against type as possible in Spitfire, playing a hillbillie faith healer who gets accused of witchcraft by her backwoods community. Hepburn is far too erudite to sell the role convincingly, but it’s interesting to watch her attempt Appalachian jargon and throw rocks at people. The film doesn’t get as preachy as I’d expected, but it loses focus in its …
[7] Paul Newman and Robert Redford star in this influential, genre-bending Western about two outlaws who hole up in Bolivia to hide from a pursuing ‘superposse.’ William Goldman’s celebrated screenplay would become the progenitor of countless buddy films for decades to come. Paul Newman has referred to the film as “a love story between two men.” What’s remarkable is that the camaraderie between the two …
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