[6] Olivia de Havilland won her first Oscar for this sudsy soap opera about a woman who gives up her infant son and spends the rest of her life trying to reconnect with him. The melodrama may be an acquired taste, but no one can steal audience sympathy better than de Havilland. I went with it, happy ending and all. In a neat (and slightly …
[6] No, it’s not a movie about a whore. It’s Greer Garson, for fuck’s sake! Her Twelve Men, also known as Miss Baker’s Dozen, features Garson as a new teacher at an all- boys’ school where she’s not made to feel terribly welcome. The head of the school (Robert Ryan) doesn’t think she’s qualified and since she’s the first female faculty member they’ve ever known, …
[8] A movie about corporate betrayal and litigation is normally not my idea of a good time, but The Social Network turns out to be a well-made, voyeuristic look back at the birth of a now-ubiquitous product that many users can’t live without. In fact, you wouldn’t be reading this review without it. Screenwriter Aaron Sorkin (The West Wing) is a shoe-in come Oscar time …
[3] Robert Altman made his directorial debut with this inauspicious teenaged rebellion romp. Tom Laughlin stars as Scotty, a young guy who just wants to hang with his girlfriend (Rosemary Howard), but her parents intervene to keep them apart. So poor old Scotty does what all grown-ups in 1950s America thought teenagers did: he joins a gang of hoodlums. The girlfriend gets caught up in …
[4] Katharine Hepburn goes as far against type as possible in Spitfire, playing a hillbillie faith healer who gets accused of witchcraft by her backwoods community. Hepburn is far too erudite to sell the role convincingly, but it’s interesting to watch her attempt Appalachian jargon and throw rocks at people. The film doesn’t get as preachy as I’d expected, but it loses focus in its …
[7] Paul Newman and Robert Redford star in this influential, genre-bending Western about two outlaws who hole up in Bolivia to hide from a pursuing ‘superposse.’ William Goldman’s celebrated screenplay would become the progenitor of countless buddy films for decades to come. Paul Newman has referred to the film as “a love story between two men.” What’s remarkable is that the camaraderie between the two …
[6] Jessica Lange and Elisabeth Shue star in this darkly comedic period piece about a bitter seamstress (Lange) who plots to ruin the lives of her late sister’s husband and daughter after they refuse to accept her into their wealthy family. Things get escalated when Lange’s character finds love in a young artist who eventually falls for her daughter-in-law. Shue plays a bawdy stage performer …
[7] Christopher Nolan serves up a wartime survival flick about Allied soldiers stranded on the beaches of Dunkirk, France, while the German army surrounds them. The water was so shallow, warships couldn’t pick up the troops, so loading the hundreds of thousands of soldiers was simply impossible. But the battle later became known as ‘The Miracle of Dunkirk,’ as hundreds of civilian boats came to the military’s …
[4] Near the end of both Singin’ in the Rain and An American in Paris, there is a big, epic dance number that feels very out of place. It’s the only thing I don’t like about Singin’ in the Rain, and the only thing I DO like about An American in Paris. The later film is essentially a superb 20-minute dance number tacked onto an …
[6] George Clooney stars as an assassin-for-hire who’s getting tired of the job. He’s always looking over his shoulder, always afraid to trust anyone, always sleeping with one eye open. Can he turn over a new leaf, or will his past come back to haunt him? You know the answer. But don’t get the impression that The American is an action movie, because while there’s …
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