[7] When two down-on-their-luck brothers inherit an old house valued in the millions, the only thing standing between them and riches is the tiny little mouse that lives there. Nathan Lane and Lee Evans star as the bungling brothers in this somewhat dark family comedy penned by Adam Rifkin (The Dark Backward, Detroit Rock City) and directed by Gore Verbinski (The Ring, Pirates of the …
[7] The world’s first animated feature film holds up pretty well, even if feminism has rendered its heroine somewhat outdated. Snow White herself is a little annoying, not only because she sits around waiting for her “prince to come”, but also because Adriana Caselotti’s voice is so darned squeaky. But I enjoy the darker aspects of the film, including Snow White’s fear-induced flight through the …
[6] Disney Animation puts a science-fiction twist on Robert Louis Stevenson’s classic story. The mix of 2D and 3D animation is interesting, especially when you stop to marvel at an animator’s mastery of perspective when 2D characters are seen running through 3D environments while the ‘camera’ moves all around them. The overall design of Treasure Planet is incoherent, though — you never see two of …
[6] Civil War soldiers escape capture in a hot air balloon only to become stranded on an uncharted island inhabited by mutant creatures. Mysterious Island is more than just another showcase for effects pioneer Ray Harryhausen. I enjoyed the survival aspect of the storyline, which throws disparate personalities together and forces them to depend on each other for survival (a notion I always tend to …
[5] There was definitely potential. A dark Disney movie based on Lloyd Alexander’s Chronicles of Prydain, about a farm boy’s brave attempt to stop a demonic king from conquering the land with his army of skeletal warriors? Sign me up! Unfortunately, Disney wasn’t willing to go the full mile with PG content (even the current dvd is edited for violence). It didn’t help that their …
[6] Don Bluth’s films (The Land Before Time, The Secret of NIMH) tend to be too mature for children and too immature for adults. Consider All Dogs Go to Heaven, where one moment you have cutsey critters singing a cringe-worthy song about sharing, and then you have a dog literally escaping hell to say goodbye to the little orphan girl he betrayed. At least All …
[6] This Disney flick may be a minor effort in comparison to the company’s more perrenial classics, but there’s a dated, folksy charm about this all-animal take on the classic Robin Hood legend. The simple story is populated with fairly memorable, endearing characters and a couple of catchy tunes. It’s one of the only Disney movies where even the bit parts shine, from the narrating …
[7] Pixar has an uncanny way of dressing up an old familiar formula and making it seem brand new. Cars is a story about life in the fast lane (literally and figuratively), and the dangers of forgetting to smell the flowers and cherish all the little things. It could so easily have been cloying and cheap, but Pixar puts so much genuine emotion and sincerity …
[7] Disney’s The Fox and the Hound opens with a young fox being chased by a hunting dog. It scrambles through the woods and finds a hiding place to ditch the baby fox it’s carrying in its mouth. Then it continues running… and is shot. And that’s just the beginning of the baby fox’s nightmare. A kindly widow adopts the fox and names it Tod. …
[8] Pixar returns to the toy box for another adventure with Woody, Buzz, and all the other toys who helped make the first Toy Story so memorable. This time around, Woody is kidnapped by a toy collector and the other toys must launch a daring rescue. The sequel is more action-packed, pitting the toys against big city traffic and Buzz Lightyear’s nemesis, Emperor Zurg, before …
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