[8] A group of kids who call themselves the Goonies rally together for one last adventure before they’re all forced by a real estate meanie to move away from their Pacific northwest coastal community. They find a map and follow it to hidden treasure, encountering criminals on the run from the law, a deformed cellar-dweller, bats, booby traps, and more. I was eleven when I …
[4] For its racist stereotypes and sugar-coated depiction of plantation life in the post-Civil War South, Disney has locked away Song of the South from the public since its last re-release in 1986. I don’t think the film is any more offensive than countless others made before desegregation (Gone with the Wind among them). In fact, putting its social infractions in historical context is probably …
[7] Beneath the cutesy veneer of this big-budget family spectacle is a surprisingly morose Ghost and Mrs. Muir subplot. The screenplay is a bit scattershot in its aim, but I have to give this flick major kudos for tackling the subjects of death and loneliness for a family audience. There are a few terrific little scenes between young Christina Ricci and Casper, an ILM confection …
[3] When the army took over Disney Animation during WWII to make training and propaganda films, old Walt was forced to make a series of ‘package films’ to keep the studio afloat until he could afford to make another stand-alone feature story. These package films were collections of various shorts jammed together to make a feature-length program. One of these, and perhaps the worst, was …
[4] Around the World in 80 Days is a three-hour-long, episodic adventure that’s high on spectacle and low on story or character. I wager it played better to a 1950s audience interested in seeing a cliche-ridden “It’s a Small World”-like pastiche of world cultures. I wish leading actor David Niven had more to do in his role — it could have really helped the film …
[7] This sequel taps into two powerful currents of audience identification: the love between parents and children, and the love between people and animals. You can approach these with cloying calculation, as many family films do, or you can attack them with a level of sincerity that makes you forget they take root in our deepest, mythic past. Both How to Train Your Dragon movies …
[7] Angelina Jolie headlines in this pleasantly surprising revisionist version of Disney’s Sleeping Beauty. Jolie plays Maleficent, the dark fairy villain of the original fairytale. But in this new version of the story scripted by Linda Woolverton (Beauty and the Beast), she’s both the villain and the hero — and Jolie is fantastic in the role. You see Maleficent as the glorious creature she once …
[7] Bob Newhart and Eva Gabor provide the voices of two brave mice who volunteer to rescue a kidnapped orphan in this surprisingly dark and scary offering from Disney’s animation department. I love the atmosphere this movie creates, especially around a wrecked riverboat tucked away in a spooky bayou. That’s where our villainess, Madame Medusa (voiced by Oscar-winner Geraldine Page), holds a little girl named …
[8] This 2002 classic, period-piece rendition of Charles Dickens’ Nicholas Nickleby is sweet, sentimental, and beautifully executed. I personally found it irresistible. Charlie Hunnam (Sons of Anarchy, Pacific Rim) is perfectly cast as Nicholas, a young man who discovers his own strength of character when called upon to defend his family and friends from villainy. The main villain is his own uncle, played deliciously by …
[5] If you love the Muppets, this eighth Muppet movie won’t disappoint you too badly, though it’s far from their best effort. Director James Bobin (Flight of the Conchords) and writer Nicholas Stoller return for their second entry in the franchise, after the great success of 2011’s The Muppets. This time, Kermet is replaced with the world’s most dangerous frog, a Russian gulag escapee named …
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