[7] Sam Neill and Isabelle Adjani star in this disturbing horror film from writer/director Andrzej Zulawski. Adjani’s character asks Neill’s for a divorce, but when Neill refuses to let her go, both of them descend into madness. Possession is part psychological thriller, part dark fantasy, eventually introducing threatening doppelgangers and a weird octopus monster that scores with Adjani. If you ask me what Possession means, …
[6] There were a few dozen Godzilla movies released between the original in 1954 and this one, but The Return of Godzilla is a reboot of sorts. It takes a slightly more serious tone than its predecessors and acts as a direct sequel to the ’54 film. The lowdown: Japan doesn’t want to believe it, but Godzilla has been resurrected from the ocean depths and …
[6] Japan’s Toho Pictures launched a third reboot of their Godzilla franchise with this 29th installment (not counting two American-made movies). Shin Godzilla follows various political figures and public agencies as they deal with the arrival of a giant creature that crawls out of the ocean and starts wreaking havoc across the land. It grows and evolves into the Godzilla we all recognize, only meaner …
[7] Underwater hydrogen bomb testing awakens a prehistoric monster from the depths of the ocean in this Japanese classic that launched a mighty franchise still active today. Godzilla is a lot like King Kong or the Universal Monster Movies in spirit and execution, balancing special effects mayhem with a strong message about the perils of scientific advancement. Other Godzilla movies would improve on the former …
[7] Anya Taylor-Joy (The Witch) stars in this posh, claustrophobic horror flick that pits bourgeoise guests at an elite dining establishment against the head chef (Ralph Fiennes), whose multi-course menu is designed for a sinister purpose. The plates begin somewhat confusing but interesting, but soon escalate with exposed secrets, exhibitionist suicide, and a promise from Fiennes that everyone will, in fact, be dead by the …
[4] M. Night Shyamalan, the once celebrated big-budget thriller maker of films like The Sixth Sense and Signs, has been relegated to low-budget horror movies for several years. I keep hoping that his budgetary confines will result in a burst of innovation, but that hasn’t happened yet. Knock at the Cabin is a small ensemble, one-location, claustrophobic thriller with a promising premise based on a …
[7] Writer/director Ti West (Sacrament, The Innkeepers) and actor Mia Goth reteam for this prequel spin-off of the year’s earlier X, expanding on the backstory of X‘s aged villain (Goth) by showing us how she became such a broken and dangerous person long, long ago. Where X was more of an outright slasher/horror piece, Pearl is very much a character study and a showcase for …
[8] Barbarian is about the worst Airbnb rental in the history of the universe. Writer/director Zach Cregger builds suspense from the get-go, with co-stars Georgina Campbell and Bill Skarsgård giving convincing performances as strangers double-booked at a house in the middle of a highly sketchy Detroit neighborhood. They agree to share the house, but then strange things start happening. A secret door is discovered in …
[7] Christopher Walken plays an alien abductee coming to grips with his experience in Communion. Walken’s character goes through denial, then embarrassment, then fear, and finally an odd sort of acceptance over the course of the film. The supernatural elements play out in bizarre, theatrical, but compelling ways — but most of the film centers on Walken’s emotional state and the conflict it causes with …
[6] Stephen King wrote this three-tale horror anthology centered around a cat who wanders in and out of high-stakes situations. In the first, James Woods stars as a man who joins a mysterious program called Quitters Inc that has an excellent reputation for helping people quit smoking. The secret to their success becomes ominously clear when Woods learns each and every one of his infractions …
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