[8] I was beginning to wonder if torture could ever be depicted in a movie without the movie becoming “torture porn”, without any other cinematic merit. This French horror flick answers my question. In Martyrs, torture isn’t just a dirty gimmick. It’s the thematic subject of the movie, where the reasons for torture are more disturbing than the act itself. The narrative structure is unconventional, …
[8] An austere Swedish import that is both a touching coming-of-age story and a disturbing horror film. Let the Right One In centers around twelve-year-old Oskar, a bullied boy who befriends a strange new girl whose arrival into the community just so happens to coincide with many strange disappearances. Oskar falls in love with the girl, all while fearing her tyrannical father — not realizing …
[8] Crazed hunters pursue an American mountain cyclist through the misty Austrian wilderness until all parties fall prey to a super-sick and twisted, almost supernatural character referred to as Mortis. Director Federico Zampaglione puts a few fresh spins on this mash-up of familiar tropes and proves downright masterful at building atmosphere and suspense. The scenes involving Mortis (Nuot Arquint) are a rare treat for horror …
[8] A man captures a feral woman and chains her up in his cellar, calling upon his wife and kids to help him ‘civilize’ her. The Woman makes bold play of gender dynamics that will leave some viewers crying ‘misogyny’, ‘misandry’, or both — but I applaud writer/director Lucky McKee (May, The Woods) for his provocative exploration of the material. The film features outstanding performances …
[7] It’s rare, but here we have a remake that is better than the original. Kevin Dillon stars as a high school boy trying to warn his community that a blobular alien is devouring everyone in its sight. There are a few corny moments I could have done without (the motorcycle jump, for one), but Chuck Russell’s (Nightmare on Elm Street 3: The Dream Warriros) …
[6] A meteorite crashes to Earth, carrying a blob of jelly that grows exponentially by devouring everyone in its path. The original Blob movie is charming in a retro-gitchy way, even if you never buy then 28-year old Steve McQueen as a high schooler. I like the first half of the movie, while the Blob is still mysterious and no one believes what our teen-aged …
[7] Seven adults are called together to vanquish a demon clown they defeated as children thirty years ago. This three-hour miniseries based on Stephen King’s beloved novel is directed by Tommy Lee Wallace (Halloween III: Season of the Witch) and features TV stars John Ritter (Three’s Company), Harry Dean Anderson (Night Court), and Richard Thomas (The Waltons), along with Annette O’Toole, Tim Reid, Dennis Christopher, …
[8] I haven’t particularly liked any Rob Zombie movies until this one, which is strange because his devoted fans — by and large — detest this movie. The Lords of Salem features masterful style and cinematic execution, often reminding me more of a Stanley Kubrick or David Lynch film. Sheri Moon Zombie stars as a young woman who unwittingly opens the door for a coven …
[6] A paperboy is imprisoned by a woman (Deborah Harry) who plans to cook and eat him, but he’s able to delay her meal by telling her three tales of terror. Tales from the Darkside: The Movie is a somewhat underwhelming horror anthology that kicks off with a tale called “Lot 249,” adapted from Arthur Conan Doyle. Steve Buscemi, Christian Slater, and Julianne Moore co-star …
[4] Dead psychic vampire raises the dead to torment a girl trapped in a mausoleum. Okay, sure. A little slower-paced than I would like. Also, the subplot with the dead psychic’s daughter listening to her dad’s tapes is pretty dull. We get a dash of suspense and gore in the last 20 minutes, though. Not much, I’m afraid. The cast is at least attractive and …
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