[7] Writer/director Michael Dougherty (Trick ‘r Treat) returns to holiday horror with Krampus, starring Adam Scott and Toni Collette as the hosts of a Christmas family gathering that goes terribly awry when everyone’s lack of Christmas spirit spurs a visit from the Krampus and his terrifying little minions. If you’re not familiar with the lore, Krampus is the anti-Santa — the opposite of jolly and …
[7] Christopher Lee and Peter Cushing play rival scientists trying to contain a defrosted prehistoric creature aboard the Trans-Siberian Express in this moody, well-paced midnight horror flick. You’ll have to suspend your disbelief where science is concerned, and also in the casting of Telly Savalas as a crazed Cossack, but the film has quite a bit to offer otherwise — including Lee and Cushing at …
[8] For a studio-enforced, obligatory sequel to a damn-near perfect film, you could do a lot worse than Jaws 2. (Try Jaws 3 or Jaws 4!) The first half of the movie embroils us in the affairs of the Brody family, with Roy Scheider and Lorraine Gary reprising their roles from the original film. Murray Hamilton also returns as the Mayor. If you can get …
[7] This stand-alone slasher flick from Bob and Harvey Weinstein (the first Miramax film production) rivals the best of the Friday the 13th fare. The requisite nubile flesh and gory kill scenes are here, but the teen protagonists are more likable than usual and the film creates a genuinely creepy atmosphere throughout. With its lakeside camp setting and deformed villain, The Burning isn’t going to …
[7] Peter Lorre stars as a doctor so obsessed with an actress (Frances Drake), that after a train wreck destroys her husband’s hands, Lorre offers to perform a transplant. Problem is, the new hands once belonged to a murderer, and old habits die hard… even for disembodied hands. Mad Love benefits from Lorre’s creepy performance and many exotic settings, including recreations of a famous Guignol …
[8] In a not-too-distant future Japan, the government cracks down on adolescent shenanigans by randomly selecting one 9th grade class per year to duke it out on a remote island until only one student is standing. Battle Royale starts off with a good dose of operatic, dark humor, but as the teenage body count rises, you actually get to know many of the embattled kids …
[3] One of the now-many thuds on M. Night Shyamalan’s fall from Hollywood grace was this apocalyptic tale of (drum roll) plants exacting revenge on humankind… because they’re mad… or something. It’s hard to believe that it never occurred to Night or Twentieth Century Fox that this would ultimately result in a movie where people do nothing but run from wind machines. Unfortunately, the core …
[8] This film version of V.C. Andrews’ popular novel is considerably toned down, but it’s still a wonderfully creepy and sadistic melodrama. A widower takes her four children to live with their grandmother, who views them all as vile sinners. The wicked old woman (played by Nurse Ratched herself, Louise Fletcher) religiously brainwashes the mother and locks the children in a single room, where they …
[3] The Gill Man’s second sequel starts off okay and gets progressively worse. It’s cool enough while a team of scientists are hunting the Creature, especially when they catch him on fire (the highlight scene of the movie), but once they capture him and begin experimenting on him, the movie takes a nosedive. You’ll have to forget that genetic mutation doesn’t happen overnight. And then …
[4] This sequel to The Creature from the Black Lagoon finds the Gill Man captured and put on display in a Florida theme park. Before long, he escapes, takes a woman hostage, and terrorizes the local community. Away from the darkness and depths of the Black Lagoon, the Creature is far less intimidating. I mean, how hard is it to spot an amphibious mutant on …
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