[2] During World War II, four fascist leaders round up a group of adolescent boys and girls to torture for one-hundred-twenty days. Just knowing what Salò is about kept me from watching it for decades. But now that I’ve finally seen it, I can safely say I’ll never want to see it again — not because it’s too graphic or upsetting, but because it’s point …
[8] A paranormal investigator (Richard Johnson) invites three others to stay with him at a ninety-year-old mansion to determine whether it is haunted. One of his guests is a skeptic (Russ Tamblyn) who will one day inherit the house, while another (Claire Bloom) is a clairvoyant. But it’s the third guest (Julie Harris) who has the strongest and most unsettling connection to the property — …
[8] Writer/director Gareth Edwards (Godzilla, Rogue One) serves up an authentic-feeling monster movie that takes place in the near-future, after NASA accidentally releases an alien life form in the sky over Mexico. The enormous tentacled creatures begin destroying cities and towns, causing mass casualties — but after a few years, the country (and the world) adapt to this new reality. Monster sightings become like tornado …
[7] Producer/director Sean S. Cunningham admits Friday the 13th was a post-Halloween cash grab, but slasher fans decided there was plenty of room in the world for more than one killer franchise. All Cunningham needed was a great title that lent itself to recurring significance, and a compelling core piece of mythology — that a little boy drowned at Camp Crystal Lake when the teenaged …
[7] Steven Spielberg passes the directorial reigns of the Jurassic Park franchise to the superbly capable Joe Johnston (The Rocketeer, Captain America: The First Avenger) for this second dino sequel. Sam Neill returns as Dr. Alan Grant, coerced by a wealthy couple (Téa Leoni and William H. Macy) to return to the prehistoric island for a personal guided airplane tour. But the wealthy couple turn …
[8] A surgeon kidnaps young women and removes their faces in hopes of successfully transplanting one on his horribly disfigured daughter in Eyes Without a Face. Released the same season as Hitchcock’s Psycho and years before Romero’s Night of the Living Dead, this French film from Georges Franju has earned an interesting place on the timeline of horror film history. Coming after decades of supernatural …
[8] Cult director Richard Stanley (Hardware) delivers a dread-inducing adaptation H.P. Lovecraft’s Color Out of Space. Nicolas Cage and Joely Richardson play a couple who have moved their teenage children (Madeleine Arthur and Brendan Meyer) out of the big city and into the New England boonies to slow down the pace of life. But when a meteorite crashes in their front yard and begins affecting …
[5] Modern-day pirates try to rob a cruise ship at sea only to discover that tentacles creatures from the ocean depths have already claimed the ship’s crew. Deep Rising is a shake-and-bake assembly of Alien and The Poseidon Adventure that pales in comparison to either of those greater movies, but if you’re hard up for some genre thrills, it might do the trick for you. …
[7] Michael Powell (The Red Shoes) directs this British giallo flick about a photographer whose ghastly hobby is stalking young women and filming their expressions as he murders them. You could say that Peeping Tom is an early slasher film, the genre that would beget Michael Myers, Fred Krueger, and Jason Voorhees. But it’s actually a much more psychological endeavor — and more impactful for …
[4] Vincent Price stars as a French magistrate who becomes possessed by a murderous spirit that jumps from person to person, forcing them to carry out its bidding. When Price’s character begins to fall in love with a married posing model (Nancy Kovack), the spirit commands him to kill the woman’s husband. Price’s attempts to outwit the spirit become his undoing in a tragic third …
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