[3] Katharine Hepburn plays an aspiring composer who falls in love with a successful conductor. He cheats on her, they split up, they miss each other, they get back together. Snore. Supporting player John Beal is five times more appealing than phoney baloney leading man Charles Boyer. There’s no chemistry between Hepburn and Boyer, and no believable reason they should ever want to stay together. …
[5] An odd and perhaps ill-fitting choice of material for director Mike Nichols (The Graduate). Jack Nicholson and Michelle Pfeiffer give decent performances, but James Spader leaves a greater impression as a backstabbing protege. Wolf focuses more on the psychological effects of becoming a werewolf and skimps on the visceral thrills. I have a problem with the way Nicholson reacts to his transformation — he …
[7] Barbara Stanwyck’s a card shark and Henry Fonda’s a naive millionaire. They meet and fall in love aboard an Atlantic cruise in Preston Sturges’s The Lady Eve, a romantic comedy made tolerable with its sizzling sexual teasing and moderate slapstick humor. Stanwyck is great in her multi-faceted role. She starts the film as a deceptive villain, but turns into a very sympathetic character when …
[7] Formulaic romantic comedies don’t usually fly with me, but when you place a genuine, sincere element into the formula, an element like Paul Hogan, it sometimes doesn’t matter how old the story is. And I have to credit Hogan and his fellow screenwriters for writing a central love relationship that doesn’t belabor itself. The characters don’t have to talk a lot for us to …
[7] It’s surprising Errol Flynn didn’t make more screwball comedies, because he’s completely at home in this ‘who’s duping who’ comedy, outrunning the guard dogs, shaking hands with people in side-by-side moving cars, and carrying on romantic telephone conversations with two women simultaneously. In Four’s a Crowd, he’s teamed with his regular leading lady Olivia de Havilland, as well as Rosalind Russell (in a newspaper …
[7] Richard Gere plays a navy cadet who falls in love with a factory worker played by Debra Winger. The romance part of the story doesn’t work as well as Gere’s combative relationship with his drill instructor, played by Louis Gossett Jr. Director Taylor Hackford (Dolores Claiborne, Ray) does a remarkable job grounding the melodrama, especially in the tragic third act, but I have a …
[5] Claude Rains is gold in all his scenes as the god-like Mr. Jordan, but I find the movie’s playfully fatalistic view of love and self-purpose too saccharine to swallow. Robert Montgomery is also good as the deceased boxer who, due to heavenly oversight, gets the opportunity to rejoin the living by possessing the bodies of freshly dead strangers. The film was nominated for several …
[8] Steve McQueen plays a millionaire who robs a bank just for shits and giggles, and Faye Dunaway plays the insurance investigator who will either turn him in… or fall in love with him. Director Norman Jewison embraces the French New Wave to give the film a unique tone that favors style slightly higher than substance, and I’m okay with that. The result is a …
[4] Tyrone Power and Maureen O’Hara star in this seafaring tale of a plundering buccaneer who considers changing his ways once he becomes smitten with an aristocratic lady. At times a very beautiful film, The Black Swan fails on the most critical aspect of the ‘love relationship’. Tyrone Powers may look dashing, but I didn’t find him very charismatic. And Maureen O’Hara is pretty awful. …
[3] Clark Gable escapes the Devil’s Island penal colony and takes floozie Joan Crawford along for the ride. Along with a handful of other fleeing criminals, they rough it through the jungle and long days at sea to reach the mainland and freedom. Sounds like a great matinee movie, but then enters Ian Hunter, who plays a moralizing goodie-two-shoes escapee named Cambreau. At the height …
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