[7] Mel Gibson returns as the iconic Mad Max, joined by Tina Turner in a fun, villainous role. But the third film in the series is also the weakest, first signaled by the PG-13 rating, a ridiculous attempt to make a hard-edged action franchise more family-friendly. The script splits the story into two distinct parts that then converge on each other in the third act. …
[8] [Warning: This review contains spoilers.] Joanna moves with her husband and children to idyllic Stepford, where the women love making cookies, cleaning house, and servicing their husbands. Yes, ladies, it’s a horror movie. And one that holds up remarkably well. Sure, it’s a little campy. But a dose of dark humor hardly lessens the film’s horrific revelation — that the men of Stepford are …
[6] The ‘alternate universe’ aspect of Lovecraftian horror is something I don’t think I’ll ever appreciate, but if that’s your bag, Stuart Gordon’s From Beyond might float your fancy. I like the psycho-sexual stuff going on, especially when everyone’s pineal glands are unknowingly stimulated, causing Barbara Crampton to don a dominatrix outfit and straddle an unconscious man. I’d like the movie to have been more …
[4] Queer cinema pioneer Gregg Araki (The Living End, Mysterious Skin) serves up a brightly colored teen sex comedy by way of Twin Peaks with a Dr. Strangelove finale. Like most of Araki’s films, there are nice scenes here and there, and a raw, primal quality to his storytelling that allows him to get away with lack of subtlety better than most filmmakers. But I’d …
[5] This atomic-age monster movie features a giant octopus that attacks San Francisco. With the help of special effects maestro Ray Harryhausen, the creature topples some skyscrapers and whacks a piece out of the Golden Gate bridge. Unfortunately, the visual effects are the only reason to recommend this flick, which suffers from many of the same ailments you find in other atomic-age fare, including pointless …
[7] H.G. Wells (Malcolm McDowell) travels through time to 1979 in hot pursuit of Jack the Ripper (David Warner), who’s hell-bent on continuing his murderous rampage in a whole new century. In the hands of director/screenwriter Nicholas Meyer (Star Trek II: The Wrath of Khan), Time After Time is a solid romantic romp. I like McDowell and Warner in anything, and Mary Steenburgen is fine …
[2] This movie is just too silly and disjointed for me. I hate it and I always have. It’s a boring, cheap, un-inventive waste of time and talent. I truly don’t get its appeal. The plot is beyond me, and why are all the aliens Jamaican? Why is Jeff Goldblum dressed like a cowboy? Why can’t the amazing John Lithgow rescue me from this torture? …
[5] Titan A.E. is an awkward mix of 2D and 3D animation from director Don Bluth (Secret of NIMH, Anastasia). It’s not as attractive as Bluth’s other films, and it also suffers from a weak script. There are kernels of dramatic potential, especially with humanity being on the brink of extinction, but the film is more concerned with conjuring arcade-like action and music video moments. …
[4] Peter Hyams (Capricorn One, The Relic) tackles Arthur C. Clarke’s sequel novel. It is, of course, a fool’s errand to follow so closely in the footsteps of Stanley Kubrick and his revolutionary and revered 2001: A Space Odyssey, but for whatever reason, that errand was run. And for a while, 2010‘s not so bad. 2001 leaves a lot of mystery in its wake, so …
[8] After tackling fantasy in The Neverending Story, director Wolfgang Petersen turned to science-fiction in this intimate tale of opposing fighter pilots who crash-land on a dangerous planet together. Dennis Quaid plays the human, and Louis Gossett Jr plays the alien, unrecognizable under Chris Walas’ incredible prosthetic makeup. The screenplay wisely spends the first two-thirds of the movie building a bond between the characters, taking …
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