[6] Matt Reeves, the director of Cloverfield, makes the second stab at John Ajvide Lindqvist’s novel about a twelve-year-old boy who unwittingly befriends a vampire girl. (A Swedish film version, Let the Right One In, was released in 2008.) The remake bends the material more toward an American sensibility, and as a result the American version is of course faster-paced, less nuanced, and far less …
[4] In this fourth installment (and final, by my count) of the disaster franchise, George Kennedy returns to pilot a super-sonic plane to Paris. Trouble is, the bad guy (Robert Wagner) wants to blow the plane out of the sky to stop an on-board news reporter (Susan Blakely) from uncovering his corporate shenanigans. For the most part, the Airport movies are a guilty pleasure, but …
[8] Looper is a mash-up of mobster movie and sci-fi time travel flick, but rather than getting caught up in its own clever twists on a (let’s face it) hackneyed sci-fi sub-genre, the movie is wisely more concerned with creating an emotionally gripping story. It moves and builds perfectly, dividing your empathy for its fully-fleshed characters in a story that shuns black and white to …
[6] After a city-wide blackout allows their escape, four criminal psychotics terrorize a new doctor and his family. The script is wobbly well into act three, and I’m not all too happy with how the escapees are characterized, but Alone in the Dark still pulls out a few decent horror sequences. The scene where the babysitter is terrorized by a knife through the mattress is …
[8] It’s so refreshing to watch heroes and villains who are over the age of 40. Skyfall repeatedly suggests that sometimes older is better, and I couldn’t agree more. Daniel Craig’s third turn as James Bond is at least as good as his first, Casino Royale. Javier Bardem makes an excellent villain and we also get to enjoy Judi Dench in a full co-starring role …
[8] The Coen Brothers broke onto the film scene with this claustrophobic mystery/thriller featuring Frances McDormand, John Getz, and Dan Hedaya in a murderous love triangle. M. Emmet Walsh complicates matters for all of them as a hitman for hire. The concept is simple, but mined for every ounce it’s worth — just how hard is it to kill someone? Everything you love about the …
[4] Paul Newman stars as a British agent posing as a jewel thief who gets embroiled with Russian spies, goes to prison, gets broken out of prison, and lands in the hands of a secretive organization that drugs and kidnaps him until he can pay for the breakout. A lot more happens after that, but for all the plot twists and turns, John Huston’s film …
[6] A small, isolated village of puritan-like people come under siege by a killer in their midst, as well as woodland monsters that may not be what they seem… Whether or not you like M. Night Shyamalan’s The Village ultimately hinges upon two big conceits (or twists, if you will). I’m okay with the first, as it comes organically from the hopes and fears of …
[5] Personally, I’m not sure when I’ll ever be “ready” to see any dramatizations of September 11th, 2001. I definitely don’t want to see those events sensationalized. Thankfully, Oliver Stone exercises restraint with the material, opting to show the film almost entirely from two characters’ points of view. World Trade Center is a claustrophobic survival story centered around real-life survivors John McLoughlin (Nicolas Cage) and …
[6] Ron Howard directs Cate Blanchett and Tommy Lee Jones in The Missing, an estranged father/daughter bonding flick by way of The Searchers. The story is set in motion after Blanchett’s eldest daughter is kidnapped by an evil Apache mystic who is collecting young women to sell at the Mexican border. Blanchett and Jones are reliably good, and Jenna Boyd is superb as the youngest …
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