[6] Jim Carrey stars as a man who discovers a book that he believes is about him, sinking him further and further into a murder mystery that proposes the killer is, quite literally, the number 23. Carrey is good and director Joel Schumacher’s (A Time to Kill, Flatliners) direction is taut, if a little too hyper-stylized for the material. I don’t put stock in numerology, …
[6] Brad Pitt reunites with writer/director Andrew Dominik (The Assassination of Jesse James by the Coward Robert Ford), playing a hit man called in by the local crime lords after two young kids take down a big card game that collapses the underground economy. The parallels to the US economy are blatant, complete with recurring clips of Barack Obama and George W. Bush talking about …
[7] Dark Blue uses the Rodney King beating as a backdrop in a tale of police corruption. You could almost think of it as a modern version of L.A. Confidential. It’s interesting to see the main protagonist (Kurt Russell) as one of the film’s shadiest characters, which helps distinguish the movie from your average paint-by-numbers thriller. Russell is good in the role. It’s more of …
[7] In The Other, To Kill a Mockingbird director Robert Mulligan does a great job engendering sympathy for a schizophrenic child who is channeling the spirit of his deceased twin. Chris and Martin Udvarnoky do a commendable job playing the boy and his ‘other,’ and famed acting teacher Uta Hagen is good as the Russian aunt who begins to put two and two together after …
[7] Steve McQueen and Paul Newman help rescue people trapped in a flaming highrise in Irwin Allen’s disaster opus, The Towering Inferno. It is what it is — we all at one time or another want to watch disaster unfold and this movie gives it to you. The script cuts to the action fairly quickly, and builds upon it nicely. Many people say the flames …
[7] Brad Pitt admirably carries this big-budget zombie apocalypse flick that has more in common with Outbreak or Contagion than it does your standard zombie fare — don’t expect blood and gore, horror fans. Director Marc Forster (Monster’s Ball, Stranger Than Fiction) succeeds in ratcheting up the tension with a script (based very loosely on Max Brooks’ book) that is essentially one dramatic escape sequence …
[9] William Friedkin (The Exorcist, The French Connection) directs this darkly comic trailer trash ensemble piece about a family that conspires to hire a killer to whack their matriarch and collect her life insurance. Matthew McConaughey delivers a tense, frightening, carefully measured performance as the title character. He deserves an Oscar nomination if the Academy has the balls to recognize such sinister fare. Gina Gershon, …
[9] Naomi Watts and Ewan McGregor star in this harrowing true story about a vacationing family torn violently apart by the 2004 tsunami that ravaged Thailand. The natural disaster is recreated in the opening act, seen through the eyes of Watts’ character as she desperately tries to grab hold of her eldest son as the tidal wave sweeps them both inland. She’s thrashed, cut, and …
[8] Dreams are a notoriously difficult thing on which to base a movie. In dreams there are no rules, no parameters — and in movies about dreams, writers and filmmakers are often all too eager to take advantage of our suspension of disbelief — because in dreams, hey? Who the hell’s to say what could or could not happen, especially if the contrivance pushes the …
[8] Before winning the Oscar for directing Slumdog Millionaire, Danny Boyle gave us Sunshine, a riveting, futuristic sci-fi thriller about a crew of scientists’ desperate plight to rejuvenate the sun. Anything can and does go wrong during the mission, forcing the crew into some of the toughest life-and-death decision making they’ve ever faced. With humankind’s existence hanging in the balance, the stakes couldn’t be higher. …
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