[8] Jay Baruchel voices a pre-pubescent Viking who fancies himself a dragon hunter — that is, until he accidentally befriends one of the creatures and dubs him Toothless. That’s when How to Train Your Dragon becomes a romance between a boy and his dragon. I was not prepared for how much I would enjoy this movie — great script, endearing characters, well-choreographed (and sustained!) action …
[8] It may be one of the most atypical Disney animated film, but I thoroughly enjoy The Emperor’s New Groove. It’s by far the funniest Disney flick I’ve ever seen, reminding me more of a Warner Brothers Looney Tune than anything Walt might ever have conjured. The irreverent script focuses on four very engaging characters, two good and two evil, and lets them run the …
[5] Titan A.E. is an awkward mix of 2D and 3D animation from director Don Bluth (Secret of NIMH, Anastasia). It’s not as attractive as Bluth’s other films, and it also suffers from a weak script. There are kernels of dramatic potential, especially with humanity being on the brink of extinction, but the film is more concerned with conjuring arcade-like action and music video moments. …
[5] Disney’s first animated theatrical sequel is a technical and stylistic achievement featuring beautiful character and effects animation, rich background paintings, and thrilling music from the ever-underrated Bruce Broughton. The movie is best at the beginning, during a spectacular sequence in which a boy rides a giant eagle through the Australian outback. But after that, the script offers few surprises and our hero mice, Bernard …
[5] Pixar usually moves me with some genuine human emotion, but Inside Out is a little more sentimental and pandering than many of their other films. The big cry moment is a cheap, low blow, is what I mean to say. And I hold a special kind of grudge against movies that make me cry by hitting below the belt (I’m talking to you, Forrest …
[7] The Reluctant Dragon is an odd but interesting hybrid of anthology feature and behind-the-scenes documentary. It’s about a man whose wife convinces him to take a children’s storybook titled The Reluctant Dragon to Walt Disney so that he can make it into a new cartoon. Once the man, humorist Robert Benchley, arrives on the Disney studio lot, he continually evades his tour guide and …
[4] This short feature presentation from Disney Animation is really two short stories slammed together. Up first, we have “The Wind in the Willows,” narrated by Basil Rathbone. It’s a fast-paced story about three stuffy critters — a badger, a mole, and a river rat — who try to keep their friend Toad out of trouble. Toad is addicted to all the latest modes of …
[4] For its racist stereotypes and sugar-coated depiction of plantation life in the post-Civil War South, Disney has locked away Song of the South from the public since its last re-release in 1986. I don’t think the film is any more offensive than countless others made before desegregation (Gone with the Wind among them). In fact, putting its social infractions in historical context is probably …
[3] When the army took over Disney Animation during WWII to make training and propaganda films, old Walt was forced to make a series of ‘package films’ to keep the studio afloat until he could afford to make another stand-alone feature story. These package films were collections of various shorts jammed together to make a feature-length program. One of these, and perhaps the worst, was …
[7] This sequel taps into two powerful currents of audience identification: the love between parents and children, and the love between people and animals. You can approach these with cloying calculation, as many family films do, or you can attack them with a level of sincerity that makes you forget they take root in our deepest, mythic past. Both How to Train Your Dragon movies …
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