[8] François Truffaut made his feature directorial debut with this semi-autobiographical tale of a disenfranchised twelve-year-old Parisian boy who takes his first steps into a life of petty crime. Truffaut went into The 400 Blows with an admirable mission statement — to capture the very real malaise of pre-pubescence. Truffaut’s doppelganger is Antoine Doinel (Jean-Pierre Léaud), whose escalating infractions with his school and parents threaten to …
[7] Drew Barrymore stars as a teen in the ’60s whose dreams of going to college and getting published are squashed by unexpected motherhood. Riding in Cars with Boys is a comedy/drama based on a true story that spans a few decades, seeing Barrymore’s character through a reluctant marriage, cold and everlasting disappointment from her father, and struggles with her drug-addicted husband. The big question is …
[6] Natasha Lyonne (American Pie, But I’m a Cheerleader) leads an esteemed ensemble cast in writer/director Tamara Jenkins’ story of a 1970s teenager coming of age on the outskirts of Beverly Hills. The family is struggling to make ends meet, always moving out of apartments before the rent is due. Alan Arkin plays the father, a divorcee with a gambling problem. David Krumholtz plays Lyonne’s …
[6] Writer/director Eliza Hittman takes us inside the secretive life of a teen boy trying to figure out if he’s straight or gay. He’s clearly attracted to men and hooks up with several older ones he meets online. But he’s also interested in at least trying to be straight, especially when a girl on the New Jersey boardwalk takes a liking to him. It’s not …
[8] At first sight, you might mistake Footloose for just another teen rebellion movie, but Herbert Ross’ (Steel Magnolias) sensitive direction and committed performances from John Lithgow and Dianne Wiest help the film transcend its genre. The story about a town where dancing has been outlawed sounds ridiculous at first, but screenwriter Dean Pitchford and the cast treat the premise with disarming sincerity. It was a …
[8] A boy growing up in 1940’s middle-America tries to convince his parents to get him a Red Ryder B.B. gun for Christmas. It’s hard to judge a movie that has become a holiday tradition. Growing up, I don’t think a single Christmas went by where I didn’t watch A Christmas Story at least one or two times. Seeing it again recently, it has lost …
[6] This ambitious coming-of-age drama stuffs its short running time with a nearly incongruous overview of Ethan Canin’s novel, but at least it skims a provocative surface. The story about love and conflict between two brothers is serviced remarkably well by Nick Stahl and Jerry O’Connell (all buff and sexy after dropping his Stand by Me pounds). Sam Elliott also brings color as a self-righteous …
[6] Vincente Minnelli sheds a bright light on gender politics in this story of a bullied teenager who finds solace with his college housemaster’s wife. It is fascinating to watch a film deal with mysogyny and homophobia at a time when these words were barely in our collective vocabulary. It’s even more remarkable that this film, made during the height of rigid gender codes, asks …
[7] Precious is the kind of movie a studio exec must dread hearing a pitch about: “So, there’s this girl, and she’s really sad, her daddy raped her, she named her down syndrome baby Mongo, her mother violently abuses her, she’s HIV-positive, and, yeah, it really sucks to be her.” Surprisingly, Precious doesn’t wallow in melodrama. It plays straight-forward and honest, and you really start …
[6] This film, along with What’s Eating Gilbert Grape, both released the same year, made young Leonardo DiCaprio a star. DiCaprio holds his own against the formidable Robert DeNiro, here playing an abusive step-father. The performances are good, but the story (based on the memoir of author Tobias Wolff) is predictable and protracted. Ellen Barkin is good in a thankless role. Look for Tobey Maguire, …
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