[7] Bernardo Bertolucci (The Last Emperor) takes on the intimate tale of an American student (Michael Pitt) who falls into an intense, unusual relationship with French siblings (Louis Garrel and Eva Green). The sexually-explicit escapades earned the film an NC-17 rating, but there’s an underlying sweetness and shared vulnerability in the direction and performances. I love how Bertolucci embellishes the characters’ shared obsession with cinema …
[6] A sexually infatuated twelve-year-old boy does what his teddy bear tells him to, which includes feeding the locals to a pack of monsters who dwell in a pit in the woods. I don’t know what the teddy bear and the pit monsters have to do with one another, but the first half of The Pit is remarkable in its depiction of a nascent psychopath. …
[7] Richard Beymer (West Side Story) stars as Ernest Hemingway’s alter-ego, a young man who comes of age by traveling the country and serving in the military during the early 1900s. With beautiful scenery of rural Michigan and Franz Waxman’s wistful score, the film is unabashedly romantic and nostalgic — it transports you to a time and place you’re reluctant to leave. But as Beymer …
[8] It’s the Great Depression and young boys (and a few girls) are running away from home to lessen the burden on their poor families. This movie follows two boys, played by Frankie Darro and Edwin Phillips, who hop aboard train after train trying to find food and work. Along the way, they befriend a girl played by Dorothy Coonan Wellman. The three become part …
[7] Emile Hirsch and Kieran Culkin put in great performances in this odd coming-of-age film about best friends who are constantly rebelling against their Catholic school teacher, a one-legged nun played by Jodie Foster. I like that the characters, even Foster’s antagonistic one, aren’t one-sided. The film suggests the boys are out of control, but also that they have plenty to rebel against. I expected …
[8] An austere Swedish import that is both a touching coming-of-age story and a disturbing horror film. Let the Right One In centers around twelve-year-old Oskar, a bullied boy who befriends a strange new girl whose arrival into the community just so happens to coincide with many strange disappearances. Oskar falls in love with the girl, all while fearing her tyrannical father — not realizing …
[7] As a bullied grade-schooler (Devin Brochu) grapples with his mother’s death, an enigmatic stoner bad boy named Hesher (Joseph Gordon-Levitt) bursts into his life and further complicates things. At first, I worried that Gordon-Levitt would slip into show-off mode, but he ends up striking a good balance. Hesher’s presence and function in the movie begs a fantastic interpretation. I choose to think of him …
[7] Eric Stoltz, Mary Stuart Masterson, and Lea Thompson star in this Howard Deutch-directed film from writer/producer/’80’s teen titan’ John Hughes. Stoltz is a high schooler pining for a popular girl (Thompson), all while his tom-girl best friend pines for him (Masterson). Masterson has the juiciest part here, too afraid to tell her buddy that she loves him. You gotta give Thompson credit for riding …
[7] Seven adults are called together to vanquish a demon clown they defeated as children thirty years ago. This three-hour miniseries based on Stephen King’s beloved novel is directed by Tommy Lee Wallace (Halloween III: Season of the Witch) and features TV stars John Ritter (Three’s Company), Harry Dean Anderson (Night Court), and Richard Thomas (The Waltons), along with Annette O’Toole, Tim Reid, Dennis Christopher, …
[6] Emilio Estevez and Craig Sheffer star as two high school best friends experiencing a rough transition into adulthood. While Sheffer’s character is falling in love and leaving behind his delinquent ways, Estevez continues down the darker path, dabbling in drugs and antagonizing thugs and police. Estevez adapted the screenplay from S.E. Hinton’s (The Outsiders) novel. The character arcs aren’t as well defined or pronounced …
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