[6] An army rocket returning from Venus crash lands in the Mediterranean, releasing a Venusian creature that wreaks havoc in Italy. This matinee monster movie is better than most of its kind. The first thirty minutes are surprisingly strong, building mystery and suspense very nicely. After that, the movie becomes a bit of a King Kong knock off. Effects master Ray Harryhausen once again succeeds …
[5] This monster romp was the first solo effort by effects wizard Ray Harryhausen. All the stop-motion animation has the usual Harryhausen charm, including a famous scene where the dinosaur rages down Wall Street and chomps on a policeman. Unfortunately, there’s not much else going for this creature feature until that point. The story is one of the earliest to feature atomic mutation, but the …
[8] King Kong, the grandfather of all monster movies, is an ambitious visual effects extravaganza servicing a fast-paced adventure story. The film’s action set-pieces have inspired generations, whether its Kong’s clashes with prehistoric creatures on spooky Skull Island or his iconic last stand atop the Empire State Building. The film works fine as a good old-fashioned matinee movie, but its “Beauty and the Beast” overtones …
[7] If you love creature features as much as I do, you’ll enjoy Peter Hyams’ The Relic. Penelope Ann Miller stars as an anthropologist who teams with a cop (Tom Sizemore) to stop a supernatural creature after it wreaks havoc at a Chicago museum event. The monster effects are courtesy of the late, great Stan Winston, the museum setting provides plenty of creepy atmosphere, and …
[7] Soldiers fight werewolves in rural Scotland in Dog Soldiers. Neil Marshall’s (The Descent, Doomsday) directorial debut is a worthwhile, claustrophobic werewolf movie featuring a sophisticated group of personalities and some of the best on-set werewolf effects I’ve ever seen. The first thirty minutes are a bit of a chore to get through, but once the characters make their last stand in a remote cottage, …
[6] Two boys accidentally uncover a portal to hell and then have to fend off the demons that emerge from it. Probably for budgetary reasons, The Gate takes place almost entirely in one house, but the menace really needed to grow beyond in order to make a bigger impression. The demons themselves lack identity. They take the form of tiny monsters, one big monster, and …
[8] Special effects maestro Ray Harryhausen brings Greek myths to life in Clash of the Titans. The story centers on heroic Perseus, favored son of Zeus, who must accomplish several deadly chores in order to save his beloved Andromeda from being sacrificed to the monstrous Kraken. The film features a wide array of stop-motion animated characters, including Pegasus the winged horse, Bubo the mechanical owl, …
[6] Troll is a dark fantasy confined to an apartment building where an evil Troll is sacrificing the tenants to open the doors to another dimension. The makeup effects are a bit hit and miss, with the main troll character being the most successful creation from director John Carl Buechler’s creature shop. Budgetary constraints keep the film from delivering a satisfying climax. Noah Hathaway (Atreyu …
[6] Often regarded the best of the atomic age ‘giant critter’ flicks, Them! is best in the beginning, during two police officers’ discovery of a little girl roaming the desert in a catatonic state. Looking for her family, they come across a demolished trailer and a destroyed store, a few dead bodies — and what’s that eerie sound? It’s genuinely spooky for a while. Production …
[6] Gore, boobs, and monsters have always been a recipe for success — at least a moderate degree of it. Piranha 3D, Alexandre Aja’s remake of Roger Corman’s cult classic, proves the recipe may well be immortal. This flick is a big love letter to the low-budget creature features of the 70s and 80s. It’s not better than any of those movies, it’s not quite …
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