[8] François Truffaut made his feature directorial debut with this semi-autobiographical tale of a disenfranchised twelve-year-old Parisian boy who takes his first steps into a life of petty crime. Truffaut went into The 400 Blows with an admirable mission statement — to capture the very real malaise of pre-pubescence. Truffaut’s doppelganger is Antoine Doinel (Jean-Pierre Léaud), whose escalating infractions with his school and parents threaten to …