[8] I was not looking forward to Baby Driver, because I haven’t especially cared for any other Edgar Wright movie I’ve ever seen. (Watching Scott Pilgrim in the theatre with a full house was actually one of the most depressing movie-going experiences of my life.) Fortunately, I would never have known Baby Driver is an Edgar Wright movie unless you told me. Because unlike Shaun …
[8] Director Kevin Reynolds (Waterworld, Robin Hood Prince of Thieves) delivers his best effort to date with this telling of Alexandre Dumas’ The Count of Monte Cristo. Jim Caviezel stars as Edmond Dantes, a man betrayed by his friend Fernand Mondego (Guy Pierce) and falsely imprisoned for thirteen years in a hellish prison. Richard Harris plays the elderly priest who accidentally burrows his way into …
[8] This ensemble drama from Big Chill director Lawrence Kasdan is perhaps the most metaphor-laden movie I’ve ever seen. The screenplay (cowritten by Kasdan and his wife, Meg) gets pretentious and overreaching at times, but a well-meaning message and a strong cast do a lot to compensate for it. Kevin Kline, Danny Glover, Mary McDonnell, Steve Martin, Alfre Woodard, Mary-Louise Parker, and Jeremy Sisto are …
[8] Close-knit friends from a mining community share a harrowing experience during their tour of duty in Vietnam. Michael Cimino’s three-hour long film focuses primarily on the aftermath of the ordeal, now one of the most famous scenes in movie history, a deadly game of Russian roulette forced upon prisoners at a POW camp. Robert DeNiro plays the most level-headed friend, who tries to help …
[8] Disney goes Broadway in the first animated motion picture ever nominated for a Best Picture Oscar (in the days before they rolled out a separate category for the medium). This version of the classic fairy tale is fueled by power-house songs from Howard Ashman and Alan Menken, memorable characters, and a calibre of design and refined skillsmanship unseen for decades in the studio’s output. …
[8] Just when I thought good old fashioned escapist adventure storytelling was dead, along comes The Lost City of Z. This movie renewed my faith in movies. I was beginning to think I’d seen the end of grand, romantic films like those directed by Peter Weir or David Lean, but James Gray (The Yards, We Own the Night) picks up the mantle and delivers a film …
[8] After many failed attempts (here, here, and here) to compete with Marvel by launching their own ‘expanded universe’, DC has finally pulled their shit together. Wonder Woman works. It works as an origin story for the character, it works as a summer blockbuster, and most importantly, it works as an emotionally engaging piece of storytelling. The story begins on Wonder Woman’s home island, one …
[10] In picturesque Italy, 1983, a seventeen-year-old boy falls in love with an older man who is working as his father’s research assistant. That’s it. That’s all Call Me By Your Name is about. And it’s marvelous. So many other coming-of-age, coming out, and gay-centered love stories focus on outside forces exerting pressure on the characters. But James Ivory’s (Maurice, The Remains of the Day) …
[8] Writer/director James Mangold (3:10 to Yuma, Walk the Line) returns to the X-Men franchise after 2013’s The Wolverine and serves up a highly satisfying conclusion for its centerpiece hero. Hugh Jackman and Patrick Stewart return as Logan/Wolverine and Charles/Professor X, respectively. They are joined by young Dafne Keen, playing a child mutant in a 2029 future where mutants have gone nearly extinct. But military-scientist …
[9] Not since 1980’s Ordinary People have we had such a genuinely affecting movie about loss and mourning. In Manchester by the Sea, a man with a tortured past discovers he is the legal guardian of his late brother’s teenaged son. Casey Affleck is remarkable and nuanced in the lead role, playing a character who has repressed his feelings for so long that the mere …
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