[8] The teenaged children of a lesbian couple seek out their sperm donor and wackiness ensues. Actually, it’s not all that wacky, and that’s what’s refreshing about The Kids Are All Right. The film steers clear of good/bad absolutes and offers up an ensemble of characters a little more sophisticated than Hollywood rom-coms tend to offer. And while the moms may be gay, I think …
[8] Dino DeLaurentiis foots the bill for this gravely ambitious film adaptation of Frank Herbert’s classic sci-fi novel about the messianic rise of an off-lander who rallies a reclusive desert civilization in a fight against galactic takeover. Hot off The Elephant Man, David Lynch was chosen as director — a bold but inspired choice. And in the end, it’s Lynch’s style and aesthetic taste that …
[8] Ryan Gosling channels his inner Eastwood in this stylish thriller about a Hollywood stuntman who moonlights as a getaway driver. The combination of Hossein Amini’s emotionally restrained script and Nicolas Winding Refn’s visceral direction are a winning combination, boosted tremendously by Newton Thomas Sigel’s crisp, colorful cinematography and Cliff Martinez’s minimalist, evocative score. Gosling’s screen presence can never be disputed after this film. Like …
[8] J.J. Abrams hands the reigns to director Justin Lin (director of several Fast and Furious movies), working from a script co-written by Scotty (Simon Pegg). The result? A damn solid entry in the Star Trek franchise, possibly the best of the three newest films. The plot involves your standard new bad guy (Idris Elba) trying to get his hands on a big, nasty weapon …
[8] Bryan Singer returns to helm his fourth film in the X-Men series, and he hits another home run. This one picks up some number of years after the events of Days of Future Past, as an ancient all-powerful baddie named Apocalypse (played by Oscar Isaac, Poe from Star Wars: The Force Awakens) is accidentally resurrected in Egypt. To be honest, I don’t care for …
[8] Looper is a mash-up of mobster movie and sci-fi time travel flick, but rather than getting caught up in its own clever twists on a (let’s face it) hackneyed sci-fi sub-genre, the movie is wisely more concerned with creating an emotionally gripping story. It moves and builds perfectly, dividing your empathy for its fully-fleshed characters in a story that shuns black and white to …
[8] It’s so refreshing to watch heroes and villains who are over the age of 40. Skyfall repeatedly suggests that sometimes older is better, and I couldn’t agree more. Daniel Craig’s third turn as James Bond is at least as good as his first, Casino Royale. Javier Bardem makes an excellent villain and we also get to enjoy Judi Dench in a full co-starring role …
[8] The Coen Brothers broke onto the film scene with this claustrophobic mystery/thriller featuring Frances McDormand, John Getz, and Dan Hedaya in a murderous love triangle. M. Emmet Walsh complicates matters for all of them as a hitman for hire. The concept is simple, but mined for every ounce it’s worth — just how hard is it to kill someone? Everything you love about the …
[8] A young man’s soul is transferred to a mysterious portrait that bears the decay and debauchery of his lifestyle. The most interesting thing about this Oscar Wilde tale is that you are never told what Dorian Gray’s sins are, though the film adaptation hints at everything from drugs and alcohol to carnal sins with both men and women. Hurd Hatfield plays the icy cold …
[8] As unnecessary sequels go, The Fly II is far, far better than it has any right to be. I think the fact that Shawshank Redemption director Frank Darabont co-wrote the screenplay has something to do with it. The film is more of a standard monster movie than Cronenberg’s 1986 version, especially after the mid-point, where director Chris Walas (who won an Oscar for effects …
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