[8] This monster movie from the creators of Lost and Felicity combines low-budget ingenuity with high-budget production values for a thrilling movie going experience. The whole film is hand-held ‘found footage’ documenting a group of friends’ attempted escape from Manhattan after the city is attacked by a raging leviathan. The monster’s design is fresh and original, and the young cast do very good jobs running …
[8] A group of college kids go to a cabin in the woods, but that’s as far as we get into the story before director Drew Goddard and producer Joss Whedon turn the trope on its head. In a Scream-like fashion, The Cabin in the Woods subverts the familiar and offers a good time for horror fans. Pandering? Maybe. Entertaining? I say ‘hell, yeah.’ The …
[8] A pregnant woman waiting for the ambulance to pick her up from home must suddenly fight for her life when a scissor-wielding mad-woman invades her house with the aim of cutting her unborn baby from the womb. The concept of this French flick is unsettling enough, but what got me the most was the sheer volume of bodily fluids that ooze, drip and splash …
[8] I was beginning to wonder if torture could ever be depicted in a movie without the movie becoming “torture porn”, without any other cinematic merit. This French horror flick answers my question. In Martyrs, torture isn’t just a dirty gimmick. It’s the thematic subject of the movie, where the reasons for torture are more disturbing than the act itself. The narrative structure is unconventional, …
[8] An austere Swedish import that is both a touching coming-of-age story and a disturbing horror film. Let the Right One In centers around twelve-year-old Oskar, a bullied boy who befriends a strange new girl whose arrival into the community just so happens to coincide with many strange disappearances. Oskar falls in love with the girl, all while fearing her tyrannical father — not realizing …
[8] Crazed hunters pursue an American mountain cyclist through the misty Austrian wilderness until all parties fall prey to a super-sick and twisted, almost supernatural character referred to as Mortis. Director Federico Zampaglione puts a few fresh spins on this mash-up of familiar tropes and proves downright masterful at building atmosphere and suspense. The scenes involving Mortis (Nuot Arquint) are a rare treat for horror …
[8] A man captures a feral woman and chains her up in his cellar, calling upon his wife and kids to help him ‘civilize’ her. The Woman makes bold play of gender dynamics that will leave some viewers crying ‘misogyny’, ‘misandry’, or both — but I applaud writer/director Lucky McKee (May, The Woods) for his provocative exploration of the material. The film features outstanding performances …
[8] The film adaptation of Robert Harling’s play is unabashedly melodramatic, nostalgic, and sentimental. Some of those qualities usually annoy the hell out of me, but the ensemble of great actresses and the slew of memorable one-liners make Steel Magnolias hard to resist. I care less about the dramatic Sally Field/Julia Roberts center story (mother, daughter, wedding, pregnancy, illness, blah) and more about the group …
[8] After tackling fantasy in The Neverending Story, director Wolfgang Petersen turned to science-fiction in this intimate tale of opposing fighter pilots who crash-land on a dangerous planet together. Dennis Quaid plays the human, and Louis Gossett Jr plays the alien, unrecognizable under Chris Walas’ incredible prosthetic makeup. The screenplay wisely spends the first two-thirds of the movie building a bond between the characters, taking …
[8] Charlize Theron stars as Aileen Wuornos, the infamous Florida prostitute who became a serial killer, in this film chronicling her last few months of freedom before being captured and executed in 2002. Writer/director Patty Jenkins doesn’t shy away from Wuornos’ crimes, but aims to paint a more complex portrait of the woman who committed them. Monster introduces us to Wuornos as she’s contemplating suicide, …
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