[8] Guillermo del Toro (Pan’s Labyrinth, Pacific Rim) serves up an old-fashioned gothic romance the likes of which we haven’t seen on the big screen since Roger Corman last dabbled with tales from Edgar Allen Poe. Heavily inspired by the Bronte sisters and Hitchcock’s Rebecca, Crimson Peak is the story of Edith, a young turn-of-the-century American woman (Mia Wasikowska) wooed into the dangerous embrace of …
[8] Matt Damon carries this Ridley Scott (Blade Runner, Gladiator) film based on the book by Andy Weir. Half the film is practically a one-man show, with Damon playing a NASA astronaut feared dead and accidentally abandoned on Mars for several years. The other half of the run-time is split between Earth and the returning Mars spacecraft. Once NASA discovers Damon’s character is still alive, …
[8] Paul Rudd and Seann William Scott star as disillusioned men sentenced to community service via some sort of Big Brother program. Scott may be a one-note actor, but there’s nothing wrong with that as long as he plays his note well (it worked for John Wayne, didn’t it?) Rudd is usual cute, funny self — sign me up for more. Then there’s McLovin, aka …
[8] Steven Soderbergh turns the directing reigns over to Gregory Jacobs for this sequel to Magic Mike, but stays involved as director of photography and editor (under pseudonyms). The sequel turns out to be superior because its infinitely more fun and far less didactic and moralizing than its predecessor. The plot is more scant than the men’s on-stage wardrobes, but for a movie like this, …
[8] Robert DeNiro directs from a script by Eric Roth this taught, engaging, mysterious, and surprisingly emotional story about the birth of the CIA. Matt Damon stars, serving as our window into a world full of secrets and deception. Damon’s reserved cool gives costars Angelina Jolie and Eddie Redmayne plenty to act against, playing the wife and son who always get second fiddle to career …
[8] It’s amazing how interesting a movie about an interview can be. Granted, the subject of the interview is the first American president ever to be removed from office, and the motivation behind the interview is to get him to admit to the American people his abuse of power. Frost/Nixon is based on a stage play by Peter Morgan and director Ron Howard (Apollo 13, …
[8] I don’t usually like comedies or movies about making movies, so I was surprised to enjoy Bowfinger so much. Frank Oz (What About Bob?, Dirty Rotten Scoundrels) directs and Steve Martin writes and co-stars with Eddie Murphy in this story about a down-and-out filmmaker who tricks his friends into making a movie starring one of Hollywood’s biggest stars. Thing is, the big star doesn’t …
[8] Anthony Hopkins plays filmdom’s master of suspense in this movie that chronicles the director’s relationship with his wife, Alma, played by none other than Helen Mirren, during the making of Psycho. It should come as no surprise that Hopkins and Mirren are terrific. Hopkins’ best moment comes when Mirren asks him why Psycho is to be the next film, why when Hollywood decries it …
[8] Every spring, I feel jaded when it comes to Hollywood tent pole flicks, and every summer I end up being surprised at how much I enjoy a few of them. Maybe it’s a result of low expectations, or maybe I love monster movies and disaster movies so much, they just have to be pretty shitty before I’ll give ’em the thumbs down. Anyway, I’ll …
[8] George Miller has stopped making talking pig and dancing penguin movies (Babe, Happy Feet) long enough to give us another installment in his seminal apocalyptic Mad Max series. The result is probably one of the greatest non-stop action movies ever made. Tom Hardy takes the reigns from Mel Gibson as the title character, but gets to sink his teeth into the role quite a …
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