[10] Peter Jackson (Dead Alive, The Frighteners) embraces the Herculean task of bringing Tolkien’s supreme fantasy to the silver screen, and hits a home run. The Fellowship of the Ring gets the trilogy off to a strong start, as Frodo Baggins and his companions set off to destroy the One Ring. Jackson is faithful to the source material while masterfully balancing action, horror, heart, and …
[8] X2: X-Men United maintains the first film’s emphasis on drama and character, but adds the sizzle a bigger budget can provide. This is, quite simply, a summer movie that delivers the goods. I love the raid on Xavier’s school, Magneto’s escape from his plastic prison, Nightcrawler’s attack at the White House, Pyro’s assault on the police, and the entire third act at the dam. …
[9] The Hours is a fascinating exploration of three women living in different times and different places, each of them struggling to find their personal bliss against the pressures and expectations of marriage and motherhood. The film is a meditation on death and sacrifice — obviously not the kind we associate with men on the battlefield, but the quiet, stifling kind suffered by people, traditionally …
[9] A racist, alcoholic prison guard finds himself falling in love with an African-American woman who just happens to be the widow of a man he helped to execute in this film from Marc Forster (Stranger than Fiction, Finding Neverland). Halle Berry is stunning in her Oscar-winning performance, but so is the rest of the cast, including Billy Bob Thornton as the prison guard, Heath …
[9] Donnie Darko stands alone: an edgy, sophisticated science-fiction movie that mixes time travel and nightmarish visions with family drama and ’80s nostalgia. The tangled narrative revolves around the emotionally disturbed Donnie (Jake Gyllenhaal), a teenager who strikes up a relationship with a hallucination — a man in a horrid rabbit costume (James Duvall). The rabbit tells him what to do and Donnie does it …
[8] I’ve loved James Dean ever since my high school art teacher showed me East of Eden and Rebel Without a Cause, which prompted me to write a senior essay on the famous actor’s life and work. So I’m coming to Mark Rydell’s made-for-cable biopic with some healthy scrutiny and high expectations. The film may be a little too brief in its overview to satisfy …
[10] Michael Douglas gives a career highlight performance as a fifty-year-old college professor worried about following up a sensational debut novel in this warm, character-driven comedy from Curtis Hanson (L.A. Confidential, 8 Mile) and author Michael Chabon. I was quickly hooked on each of the movie’s ensemble of anxious, quirky characters, all grappling with their own life-changing dilemmas. Tobey Maguire is excellent as the sullen …
[9] Who said period pieces have to be stuffy? Director Oliver Parker equips a talented and charming ensemble cast with the eviscerating words of Oscar Wilde. Rupert Everett owns the role Arthur Goring, a self-centered playboy who runs from responsibility and commitment, but who still manages to be a loyal friend. Julianne Moore is delightful as the nefarious Mrs. Cheveley, whose blackmailing threatens to upset …
[10] A profound, yes profound, pitch black satire that has become an anthem for a “generation of men raised by women”. From a gender studies perspective, Fight Club speaks to the fragility of masculine identity and the disturbing lengths to which misguided youth will go to feel like they belong, to have identity, to be men. Fight Club is famously reviled for its graphic depiction …
[10] The story of Titus Andronicus is a fascinating dissertation on human violence, and in the hands of visionary director Julie Taymor (Frida, Across the Universe), it becomes an orgasm of cinematic delight. It opens in the aftermath of war, as Titus (Anthony Hopkins) returns victorious to Rome, having just defeated the Goths and captured their queen, Tamora (Jessica Lange), and her sons. Fulfilling his …
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