[9] Writer/director Paul Thomas Anderson follows Boogie Nights with another sprawling emotional epic full of spectacular acting and rich directorial style. The screenplay is an exercise in whimsical allegory, connecting the lives of nine different characters in a sometimes obtuse retelling of the Exodus story, complete with an audacious, climactic rain of frogs. The many characters and subplots are held together remarkably well through Anderson’s …
[9] “What if a gun had a soul?” That’s how director Brad Bird pitched The Iron Giant to Warner Bros. Animation. The gun in question is The Iron Giant himself, a robot of unknown origin that crash lands on Earth in 1957, at the height of the atomic scare. He dents his head and can’t remember where he’s from or why he exists. He befriends …
[10] Anthony Minghella (The English Patient) adapts the Patricia Highsmith novel for the big screen, casts it perfectly, and delivers a superb character study and psychological thriller. Matt Damon anchors the film in the best performance of his career, playing the insecure but devious Tom Ripley, a lower-class New Yorker who serendipitously finds himself in Italy to locate a tycoon’s son and encourage him to return …
[9] It’d be easy to write off Ravenous as a bungled misfire, but if it is one, it sure is an interesting one. The end result is a pitch-black comedy about cannibalism set in 1847 at a remote outpost in the Sierra Nevadas. The tone of the film is hard for some to swallow (how punny), but from the opening quotation (“Eat me. – Anonymous”) …
[9] A man slowly discovers that reality is not what it seems and that we are all actually slaves to more advanced technological organisms in this uber-cool, groundbreaking sci-fi flick with an incredible screenplay and visionary aesthetics. There is a place in cinema for Keanu Reeves, and it is The Matrix. (Who knew?) Carrie-Anne Moss and Laurence Fishburne steal the show, both playing walking talking …
[9] Ian McKellen gives his most moving film performance to date as James Whale, director of the original Frankenstein, Bride of Frankenstein, The Invisible Man, and many other Golden Age titles. Bill Condon directs and adapts from a novel by Christopher Bram that focuses on the end of Whale’s life, as he’s haunted by the memory of a friend who died in the trenches and …
[9] In the wake of the Watergate scandal and the waning Vietnam War, a Connecticut family reunites for Thanksgiving while simultaneously pulling away from each other for private indiscretions. While the characters play in moral shades of gray — drugs, adultery, petty crimes, and sexual experimentation included– the namesake storm arrives, causing a tragedy that puts things in perspective. Based on the book by Rick …
[9] Ian Holm gives a career highlight performance in this Atom Egoyan adaptation of Russell Banks’ novel. Holm plays a lawyer who travels to a snowy, rural town to incite a lawsuit after a bus crash robs the community of its children. Naturally, no one trusts Holm at first, but the more he digs, the more secrets are uncovered, and the more the community unravels.
[9] Writer/director Paul Thomas Anderson’s ode to the ’70s porn industry brings poignant depth to its sensational subject matter. It’s also an amazing showcase of top-notch acting and directing. Anderson is a rare creative talent, as skilled with actors as with the camera, a compelling combination of Steven Spielberg and Robert Altman. The formidable cast includes Julianne Moore, Burt Reynolds, Don Cheadle, John C. Reilly, …
[9] I don’t generally like heist/swindle movies, but this Quentin Tarantino flick (his third, because he’s counting) based on a novel by Elmore Leonard got under my skin with its rich characters and dialogue. Pam Grier plays a flight attendant who smuggles gun money from Mexico to the States for a bad motherfucker played by, who else? Samuel L. Jackson. But when ATF agents (Michael …
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