[10] Writer/director John Hughes had more box office hits than you can shake a stick at, and while many of them were fun and irreverent fare (like Ferris Bueller’s Day Off or Weird Science), one sticks out above the crowd — his crowning achievement: The Breakfast Club. It’s a low-concept, small-scale production — practically a filmed stage play — about five disparate teenagers who suffer …
[9] There’s this thing called the “elasticity of human emotion”, where the harder down you throw people, the higher up they’ll rise. I haven’t seen many movies demonstrate this principle better than The Color Purple. Whoopi Goldberg plays Celie, who we see having two children by her own father before being married off to Mister (Danny Glover), who beats her and convinces her she is …
[9] As the horror genre shifted full-bore into gore and kill counts in the ’80s, Tom Holland (Child’s Play) wrote and directed this Valentine to a simpler, more classic way of spooky storytelling. Fright Night is about a high school boy (William Ragsdale) who teams up with a TV horror host on the outs (Roddy McDowell) to rescue his friends and family from a vampire …
[9] Six guests are summoned to a mansion on a stormy night where they discover each is being blackmailed by their mysterious host. Not even before dinner is over, the host is murdered and mystery is afoot. But who did (done?) it, and why? Clue is one of those films that was disregarded upon its initial release, but has since become a cult sensation. The …
[10] Does it mean anything that Gremlins is my favorite Christmas movie? Am I bad person because I eschew the sentimentality of It’s A Wonderful Life for the malevolent rampage of little green monsters? Actually, sentimentality plays a big part in my love for the film. With its corny premise and comic book violence, Joe Dante’s film is an unabashed homage to the low-budget horror …
[9] A cyborg from the future attempts to assasinate the unwitting mother of a future man who will lead humanity in a war against ‘the machines.’ The Terminator remains one of the best sci-fi films of the ’80s. Thanks in part to his education at Roger Corman’s New World Pictures, ambitious director and cowriter James Cameron overcame the confines of a low budget, delivering a film …
[9] With double entendre’s out the wazoo and sight gags out the yin-yang, not to mention a shiny young Val Kilmer dancing and singing his heart out, Top Secret! wins me over. The film is from the makers of Airplane!, and as well-loved as that film is, I personally enjoy this one a lot more. The jokes come rapid-fire, ranging from low-key (“In women’s tennis, …
[9] This is the ultimate romantic adventure, complete with a great cast, exotic locations, and measured doses of action, humor, and heart. Michael Douglas and Kathleen Turner never looked better. They have that ephemeral “chemistry”, the kind that keeps you glued to the screen, rooting for them. The screenplay by Diane Thomas is well paced and constructed, giving plenty of breathing room to a romantic …
[10] Straight biographies rarely make great film, but by filtering the subject through another man’s envy, director Milos Forman (One Flew Over the Cuckoo’s Nest) delivers one of the best bio-films I’ve ever seen. This isn’t a film about a composer and his music (how boring would that be?) — it’s a film about an insanely jealous contemporary named Salieri. Salieri, played brilliantly by F. …
[9] When New York City becomes increasingly afflicted with ghost-sightings and demonic possessions, it’s up to a rag-tag team of self-proclaimed ‘Ghostbusters’ to save the world from the imminent arrival of a destructive, ancient god. Ghostbusters succeeds as both a comedy and a horror fantasy, thanks largely to Dan Aykroyd and Harold Ramis’ jaunty writing and Ivan Reitman’s sure-handed direction. Bill Murray steals the show …
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