2000’s

[8] Without the burden of exposition, Christopher Nolan molds his Batman sequel into a compelling crime drama that probes deep into the frightening psyches of Bob Kane’s characters. No Batman movie, or comic book movie for that matter, has ever been so character-driven or intricately plotted. It’s complex, emotional, disturbing, and almost a masterpiece. I still have reservations about Christian Bale as Batman, but the …

[8] Twenty men who work menial jobs participate in an 11-day sociological experiment in which they are divided into two groups: prisoners and guards. The prisoners are told they will not have civil rights during the experiment and the guards are told they must maintain order without inflicting violence. The experiment spirals wildly out of control in just two days, ending not just in violence, …

[6] Kevin Spacey stars in this Lasse Hallström film based on the Annie Proulx novel about a widower who moves with his young daughter to his ancestral home in Newfoundland to start a new life. Judi Dench plays Spacey’s aunt who encourages the move and Julianne Moore plays Spacey’s nascent love interest. I’ve only ever bought Spacey in angry, authoritative roles. Whenever he’s playing downtrodden or …

[7] John Malkovich stars as renowned German film director F.W. Murnau during the making of the seminal 1922 horror movie, Nosferatu. Willem Dafoe co-stars as enigmatic, creepy-as-shit Max Schreck, who played the vampire in Murnau’s classic. But that’s just the springboard for Shadow of the Vampire, which is really more concerned about creating its own fiction than depicting any behind-the-scenes reality. The gimmick here is …

[6] After her daughter dies in a car accident, a mother spends a month with the deceased woman’s friends to try and learn more about her in this talkative made-for-TV drama. Diane Keaton stars as the mother, whose abrasive presence isn’t at first welcomed by the friends. Tom Everett Scott plays the daughter’s gay best friend (soul mate, really), Josh Hopkins plays the husband and …

[7] Drew Barrymore stars as a teen in the ’60s whose dreams of going to college and getting published are squashed by unexpected motherhood. Riding in Cars with Boys is a comedy/drama based on a true story that spans a few decades, seeing Barrymore’s character through a reluctant marriage, cold and everlasting disappointment from her father, and struggles with her drug-addicted husband. The big question is …

[6] Robert Redford gets kidnapped, leaving his wife Helen Mirren home with their adult children to try and figure out what the hell is going on. The Clearing divides its time pretty equally between Redford’s and Mirren’s storylines. Redford’s kidnapper is played by Willem Dafoe, who walks him into the woods and claims to be taking him to a cabin where the real bad guys …

[7] The Box is weird, anachronistic, and indulgent, but I’d be lying to say I didn’t dig it. This is the third film from writer/director Richard Kelly, who created a cult phenomenon with Donnie Darko, but then flopped big time with the scatter-brained Southland Tales. The Box is intrinsically retro, based on an episode of the original Twilight Zone TV series (“Button, Button”, written by …

[6] Terminator: Salvation is passable summer entertainment held together by a sliver of thematic sci-fi integrity and a strong supporting performance by Sam Worthington (Avatar). Why Christian Bale opted into this movie is beyond me — it’s a thankless role. He’s easily outshined by Worthington, whose character carries all the dramatic weight of the story. Anton Yelchin, as a young Kyle Reese (Michael Biehn’s character …

[6] Michael Caine and Brendan Fraser vie for the affection of a beautiful Vietnamese woman against the backdrop of the French-Indochina War. Philip Noyce (Dead Calm, Patriot Games) is the second director to bring Graham Greene’s novel to the screen (after Joseph Mankiewicz’s 1958 version), and does a good job balancing the intimate character drama against the political intrigue. I like how the movie presents …

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